Marxism and Form: TwentiethCentury Dialectical Theories of Literature,New

Marxism and Form: TwentiethCentury Dialectical Theories of Literature,New

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For more than thirty years, Fredric Jameson has been one of the most productive, wideranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theoristsT. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukcs, and JeanPaul Sartrework that was, at the time, largely neglected in the Englishspeaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its makingin particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form.Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the AngloAmerican tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism.One year after Marxism and Form, Princeton published Jameson's The PrisonHouse of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation.

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Frequently Asked Questions

  • Q: What is the main focus of 'Marxism and Form' by Fredric Jameson? A: The book provides a pioneering account of major European Marxist theorists and examines the connection between art and historical circumstances, focusing on how cultural artifacts interact with their contexts through aesthetic form.
  • Q: Who are the key theorists discussed in this book? A: Key theorists include T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukács, and Jean-Paul Sartre.
  • Q: Is 'Marxism and Form' suitable for beginners in literary theory? A: While the book is insightful, it is best suited for readers with some background in literary theory or Marxist thought due to its complex ideas and terminology.
  • Q: What is the publication date of the book? A: The book was published on May 1, 1974.
  • Q: What is the condition of the book offered? A: The book is listed as 'Used Book in Good Condition', indicating it may show some signs of wear but is still usable.
  • Q: What is the page count of 'Marxism and Form'? A: The book contains 432 pages.
  • Q: What type of binding does this book have? A: The book is available in paperback binding.
  • Q: How does Jameson's work contrast with other literary traditions? A: Jameson's work offers a stark alternative to Anglo-American empiricism and humanism, providing a critical framework that contrasts with poststructuralism and deconstruction.
  • Q: What themes are explored in 'Marxism and Form'? A: The book explores themes of cultural theory, the relationship between literature and society, and the impact of historical context on artistic expression.
  • Q: Can this book be used for academic study? A: Yes, 'Marxism and Form' is widely regarded as a significant text in cultural theory and literary criticism, making it suitable for academic study.