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Mass Effect: Art and the Internet in the TwentyFirst Century (Critical Anthologies in Art and Culture),Used
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Essays, discussions, and image portfolios map the evolution of art forms engaged with the Internet.Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass mediumwith a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities. Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies.Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as postinternet. Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others.Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.Copublished with the New Museum of Contemporary Art, New YorkImportant Notice: The digital edition of this book is missing some of the images found in the physical edition.ContributorsCory Arcangel, Karen Archey, Michael BellSmith, Claire Bishop, Dora Budor, Johanna Burton, Paul Chan, Ian Cheng, Michael Connor, Lauren Cornell, Petra Cortright, Jesse Darling, Anne de Vries, DIS, Aleksandra Domanovic, Harm van den Dorpel, Dragan Espenschied, Rzsa Zita Farkas, Azin Feizabadi, Alexander R. Galloway, Boris Groys, Ed Halter, Alice Ming Wai Jim, Jogging, Caitlin Jones, David Joselit, Dina Kafafi, John Kelsey, Alex Kitnick, Tina Kukielski, Oliver Laric, Mark Leckey, David Levine, Olia Lialina, Guthrie Lonergan, Jordan Lord, Jens MaierRothe, Shawn Maximo, Jennifer McCoy, Kevin McCoy, Gene McHugh, Tom Moody, Ceci Moss, Katja Novitskova, Marisa Olson, Trevor Paglen, Seth Price, Alexander Provan, Morgan Quaintance, Domenico Quaranta, Raqs Media Collective, Alix Rule, Timur SiQin, Josephine Berry Slater, Paul Slocum, Rebecca Solnit, Wolfgang Staehle, Hito Steyerl, Martine Syms, Ben Vickers, Michael Wang, Tim Whidden, Anicka Yi, and Damon Zucconi
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- Q: What is the main focus of the book 'Mass Effect: Art and the Internet in the Twenty-First Century'? A: The book explores the evolution of art forms engaged with the Internet, examining how the Internet has transformed into a mass medium with significant cultural implications.
- Q: Who are some of the contributors to this anthology? A: Notable contributors include Cory Arcangel, Karen Archey, Claire Bishop, and Hito Steyerl, among others, offering diverse perspectives on contemporary art and technology.
- Q: What topics are covered in the essays within this book? A: The essays cover a range of topics including the use of commercial platforms for art, the implications of surveillance on art, and contemporary concepts like 'postinternet'.
- Q: Is the book suitable for someone new to art and technology? A: Yes, the book provides insights and discussions that are accessible to readers new to the intersection of art and technology, making it a good introduction.
- Q: What type of binding does the book have? A: The book is available in hardcover binding, providing durability and a quality feel.
- Q: How many pages does 'Mass Effect' have? A: The book consists of 528 pages, packed with essays, discussions, and image portfolios.
- Q: When was 'Mass Effect' published? A: The book was published on October 23, 2015, and features both new and reprinted contributions.
- Q: Are there any important notes about the digital edition of the book? A: Yes, the digital edition is missing some of the images that are included in the physical edition, which may affect the reading experience.
- Q: What series does this book relaunch? A: This book relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which aimed to foster discussions in contemporary art.
- Q: Can this book be used for academic purposes? A: Yes, the diverse contributions and critical discussions make it a valuable resource for academic studies in art, culture, and technology.