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The combination of Stphane Mallarms esoteric poetry and Maurice Ravels elusive tonal language presents a multitude of methodological problems for both analysts and performers attempting to study the Trois pomes de Stphane Mallarm (1913). While extant analyses of these songs draw on pitch content to make observations about Ravels interpretation of the text, they fail to consider the fundamental structural importance of Mallarms poetry. In his autobiographical sketch, Ravel noted that Mallarms prciosit so full of meaning inspired him to compose the Trois pomes. By using the archaic French word prciosit, which carries significant literary connotations, Ravel suggests that his understanding of Mallarms prciosit served as the compositional impetus for these songs. After establishing Ravels lifelong affinity for Mallarms Symbolist structures and formal improprieties, this book will present a detailed analysis of Soupir and Placet futile. Both scholars and performers can benefit from these analyses, as they provide insight into the complex structures and symbolic content in Ravels composition.
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