Medieval Craftsmen: Glasspainters,New

Medieval Craftsmen: Glasspainters,New

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SKU: DADAX0802069177
Brand: Brand: University Of Toronto Press, Scholarly Publishing Division
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For The Human Eye... Marvels At The Inestimable Beauty Of The Glass And The Infinitely Rich And Various Workmanship.' (Theophilus, Early Twelfth Century) But What Do We Really Know Of The Men And Women Who Made Stained Glass Windows, And The Methods They Used?Stained Glassed Was An Invaluable Medium For Communicating Religion To A Largely Illiterate Populace And The Glasspainter Was Its Creator. This Book Describes The Fascinating Origins Of The Cragt And The Techniques Emplyed Including The Design, Colouring, And Use Of Pattern Books. The Authors Explain The Circumstances Of Commission, Who The Patrons Were, And How The Glasspainter Both Designed And Executed The Window. They Then Discuss Evidence Of The Education, Position In Society, And Working Practices Of Glasspainters. Finally, The Recount The Decline Of This Resplendent Craft And The Sad Destruction Of The Windows As The Reformation And Changes In Fashion Both Took Their Toll.Beautifully Illustrated With Examples From Cathedrals, Churches, And Castles Throughout Europe, This Book Will Enrich The Understanding Of All Lovers Of Medieval Art And Architecture.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages does the book have? A: The book has seventy-two pages. This concise length makes it an engaging read for those interested in stained glass craftsmanship.
  • Q: What is the binding type of this book? A: The book is in paperback binding. This makes it lightweight and easy to handle, suitable for casual reading.
  • Q: Who is the author of 'Medieval Craftsmen: Glass-Painters'? A: The author is Sarah Brown. She provides insights into the history and techniques of stained glass painting.
  • Q: What dimensions does the book have? A: The book measures eight and a half inches in length, zero point twenty-four inches in width, and eight point forty-eight inches in height. These dimensions make it portable and easy to store.
  • Q: What category does this book fall under? A: The book falls under the category of Decorative Arts. It explores the artistry and history of stained glass windows.
  • Q: Is this book suitable for beginners in art history? A: Yes, this book is suitable for beginners. It provides accessible insights into stained glass techniques and historical contexts.
  • Q: Can this book be used for academic research? A: Yes, it can be used for academic research. The book discusses the education and societal roles of glass-painters, which is valuable for historical studies.
  • Q: What topics are covered in the book? A: The book covers the origins, techniques, and decline of stained glass craftsmanship. It also highlights the patrons and the working practices of glass painters.
  • Q: Is there any specific focus on the decline of stained glass? A: Yes, the book discusses the decline of stained glass as a craft. It addresses how the Reformation and changing fashions impacted this art form.
  • Q: Are there illustrations in the book? A: Yes, the book is beautifully illustrated. It features examples from cathedrals, churches, and castles across Europe.
  • Q: Does the book discuss the tools used by glass-painters? A: Yes, the book describes the techniques and tools used by glass-painters. It provides insights into the craftsmanship involved in creating stained glass.
  • Q: Is this book only for art students? A: No, this book is for anyone interested in medieval art and architecture. It's engaging for both enthusiasts and scholars.
  • Q: What is the condition of the used book? A: The book is classified as used but is in good condition. It is an affordable option for readers who appreciate historical texts.
  • Q: Who published 'Medieval Craftsmen: Glass-Painters'? A: The book is published by the University of Toronto Press. This publisher is known for its scholarly works.
  • Q: Is the content of the book based on historical facts? A: Yes, the content is based on historical facts. It provides a factual account of the stained glass craft and its cultural significance.
  • Q: What audience would benefit from reading this book? A: Art historians, medievalists, and anyone interested in decorative arts would benefit from this book. It enhances understanding of stained glass craftsmanship.

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