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Melville & His Circle: The Last Years,New
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Herman Melville Is A Towering Figure In American Literature Arguably The Country'S Greatest Nineteenthcentury Writer. Revising A Number Of Entrenched Misunderstandings About Melville In His Later Years, This Is A Remarkable And Unprecedented Account Of The Aged Author Giving Himself Over To A Life Of The Mind. Focusing Exclusively On A Period Usually Associated With The Waning Of Melville'S Literary Powers, William B. Dillingham Shows That He Was Actually Concentrating And Intensifying His Thoughts On Art And Creativity To A Greater Degree Than Ever Before.What Sustained Melville During That Final Period Of Ill Health And Nearpoverty, Says Dillingham, Was His 'Circle,' Not Of Close Friends But Of Works By A Number Of Writers That He Read With Appreciative, Yet Discriminating, Affinity, Including Matthew Arnold, James Thomson, Arthur Schopenhauer, And Honore De Balzac. Dillingham Relates These Readings To Melville'S Own Poetry And Prose And To A Rich Variety Of Largely Underappreciated Topics Relevant To Melville'S Later Life, From Buddhism, The School Of Pessimism, And New York Intellectual Life To Melville'S Job At The Evercorrupt Customs House, His Fear Of Disgrace And Increased Selfabsorption, And His Engagement With Both The Picturesque And The Methaphorical Power Of Roses In Art And Literature.This Portrait Of The Great Writer'S Final Years Is At Once A Biography, An Intellectual History, And A Discerning Reading Of His Mature Work. By Showing That Melville'S Isolation Was A Conscious Intellectual Decision Rather Than A Psychological Quirk, Melville And His Circle Reveals Much That Is New And Challenging About Melville Himself And About Our Notions Of Age And The Persistence Of Imagination And Creativity.
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