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Metaromanticism: Aesthetics, Literature, Theory,New
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This bracing study redefines romanticism in terms of its philosophical habits of selfconsciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself.Through a close look at the aesthetics of Friedrich Schiller and JeanJacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own selfconsciousness. Pushed to the limit, such contemplation either manifested itself as selfdisgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.
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