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Michelangelo Antonioni, who died in 2007, was one of cinemas greatest modernist filmmakers. The films in his black and white trilogy of the early 1960sLavventura, La Notte, Leclisseare justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonionis greatest works. Writing in an accessible style that evokes Antonionis expansive use of space, Pomerance discusses The Red Desert, BlowUp, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery of Oberwald, Beyond the Clouds, and The Dangerous Thread of Things to analyze the directors subtle and complex use of color. Infusing his openended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonionis signature.
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