Title
Money For Nothing: A History Of The Music Video From The Beatles To The White Stripes
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Picture Yourself In A Darkened Movie Theater, Or Soothed By The Pleasing Glow Of A Television Screen. You Are Watching As A History Of The Moving Image Unfolds Onscreen, But This History Will Not Take Note Of D.W. Griffith Or Jean Renoir, Nor Will King Kong Or Jaws Make An Appearance. As The Images Flicker Past Of Four Ebullient Britishmen Turning Cartwheels In An Open Field, A Man Tapdancing On An Urban Sidewalk, A Wedding Party In A Rainstorm, A Tragedy In A School Classroom They Wax More Familiar, The Theme Growing More Coherent, More Stable. They Keep Coming, Though, Quickly, Relentlessly, Constantly Changing Form, Changing Style, Shapeshifting. The Parade Of Images Appears To Possess A Logic Of Its Own, A Guiding Hand To Steer Its Ship. Finally, As The Last Picture Fills The Screen It Happens To Be Of A Shooting On A Brooklyn Street A Light Bulb Goes Off: These Are All Images From Music Videos, The Short Films That Once Ruled The Airwaves, And Still Possess A Significant Hold On The Generations Raised By Mtv. I Wonder What Those Were All About, You Say...The Music Video Is A Medium That Appears To Have Run Its Course, Or At Least Hit A Substantial Rut In Its Evolution. Mtv And Vh1 Have Morphed Into Lifestyle Channels, The Musical Component Of Their Programming Reduced To A Mere Blip On Their Schedule. Bet, Cmt, And Other Music Channels Still Maintain Their Dedication To Showing Music Videos Regularly, But Their Narrower Audiences Render Them Distinctly Niche Channels. And Yet The Video'S Shining Moment As Part Disposable Crap, Part Momentary, Fleeting Genius (The Exact Cinematic/Televisual Equivalent Of The Pop Song, Of Course) Renders It A Subject Worthy Of Some Serious Attention. Saul Austerlitz'S Fascinating Book Tells The History Of The Music Video, Delving Into Its Origins, Function, Stars, Motifs, Genres, Conventions, And Masterpieces.Austerlitz Sees The Music Video As A Fascinating Oddity, Capable Of Packing Great Wit, Emotion, And Insight Into Its Brief Span. A Compelling Marker Of Cultural History, The Video Emerged Onto Television Screens Nationwide And Shone Gloriously For A Brief Moment Before Disappearing Into The Remembrance Of Television Past. Informed, Opinionated, And Always Entertaining, Money For Nothing Goes A Long Way Toward Retrieving The Memory Of This Fleeting, Evanescent Artform.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the page count of the book? A: The book has two hundred sixty-eight pages. This provides a thorough exploration of the history and significance of music videos.
- Q: What is the binding type of this book? A: This book is available in paperback binding. This makes it lightweight and suitable for casual reading.
- Q: What are the dimensions of the book? A: The book measures five point five one inches in length, zero point six inches in width, and eight point five inches in height. These dimensions make it easy to handle.
- Q: Who is the author of the book? A: The author of the book is Saul Austerlitz. He offers a compelling analysis of the music video genre.
- Q: What genre does this book belong to? A: This book falls under the category of History & Criticism. It delves into the cultural impact and evolution of music videos.
- Q: How should I read this book? A: You can read this book at your own pace. It is suitable for anyone interested in media history and cultural studies.
- Q: Is this book appropriate for beginners? A: Yes, this book is appropriate for beginners. It is written in an engaging style that is accessible to a wide audience.
- Q: How can I best enjoy the content of this book? A: To best enjoy the content, consider watching music videos mentioned in the book. This will enhance your understanding of the discussed themes.
- Q: What is the condition of the book? A: The book is classified as a used book in good condition. This means it is still readable and enjoyable.
- Q: How should I store this book? A: Store this book in a dry, cool place to keep it in good condition. Avoid exposing it to direct sunlight to prevent fading.
- Q: Can I clean the book if it gets dirty? A: Yes, you can clean the book gently. Use a soft cloth to remove any dust or dirt from the cover.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for a return or replacement. Most sellers have policies for such issues.
- Q: Is there a warranty for this book? A: No, there is typically no warranty for books. However, return policies may apply if the book is defective.
- Q: How does this book compare to other music video histories? A: This book offers a unique perspective by focusing on cultural significance. It may differ from others that focus strictly on technical aspects.
- Q: Is this book suitable for academic use? A: Yes, this book is suitable for academic use. It provides valuable insights and can serve as a reference for studies in media and cultural history.