Movies and Methods, Volume 1 (Movies & Methods),New
Movies and Methods, Volume 1 (Movies & Methods),New
Movies and Methods, Volume 1 (Movies & Methods),New

Movies and Methods, Volume 1 (Movies & Methods),New

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Film teachers and students will welcome this new anthology, which makes available in one source a comprehensive selection of recent theoretical work on film, including many articles difficult to locate in the scattered literature. The contents are drawn almost entirely from the publications of the past fifteen years, and include work by the most original film thinkerssome well known to a wide public, some widely known among readers of film journals. Several important filmmakers are also represented.The materials have been grouped in critical categories reflecting recent approaches to the medium. In place of older questions such as the relation of film to other arts, or film's ability to capture an imprint of reality, the questions emphasized in the anthology concern film's ideological operations, the nature of film genres, the role of the auteur in the creative process, the representation of social groups (such as women) in film, the logical of narrative and formal organizations in films, the treatment of films as myths, and new theoretical perspectives. Thus the contents reflect the use of political, structualist, semiological and psychoanalytic methods, as well as those of more traditional criticism. There is virtually no duplication of materials included in the Mast & Cohen anthology Film Theory and Criticism.The editor has provided an overall general introduction, and miniintroductions to each text. A glossary of terms used in structuralistsemiological work is included, and lists of additional readings are provided.Its scope and careful organization will make this volume a fundamental resource for film scholarship and teaching.

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Warranty

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Frequently Asked Questions

  • Q: What is the main focus of 'Movies and Methods, Volume 1'? A: 'Movies and Methods, Volume 1' focuses on recent theoretical work in film, compiling articles that explore various critical approaches to the medium, including ideological operations, film genres, auteur theory, and representation of social groups.
  • Q: Who is the author of this anthology? A: The anthology is edited by Bill Nichols, who is known for his contributions to film theory and criticism.
  • Q: How many pages does the book have? A: 'Movies and Methods, Volume 1' contains 700 pages of curated content.
  • Q: What type of binding does this book have? A: The book is available in paperback binding, making it suitable for both reading and reference.
  • Q: When was 'Movies and Methods, Volume 1' published? A: 'Movies and Methods, Volume 1' was published on November 9, 1976.
  • Q: Is this book suitable for film students? A: Yes, this anthology is particularly beneficial for film students and teachers, as it compiles essential theoretical articles and provides insights into contemporary film scholarship.
  • Q: Does the book include additional resources? A: Yes, the book includes a glossary of terms used in structuralist-semiological work and lists of additional readings for further exploration.
  • Q: What is the significance of the contents in this anthology? A: The anthology features a diverse range of theoretical perspectives and critical approaches that reflect the evolution of film studies over the past fifteen years, making it a valuable resource for understanding film theory.
  • Q: Are there any famous filmmakers included in this anthology? A: Yes, several important filmmakers are represented in the anthology, contributing to the diverse perspectives on film theory.
  • Q: How does this anthology differ from others in film theory? A: This anthology is distinct in its comprehensive selection of recent theoretical work and its careful organization, ensuring there is virtually no duplication of materials found in other collections like the Mast & Cohen anthology.