Moving Images: Photography and the Japanese American Incarceration (Asian American Experience),Used

Moving Images: Photography and the Japanese American Incarceration (Asian American Experience),Used

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When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government hired photographers to make an extensive record of the forced removal and incarceration but forbade Japanese Americans from photographically documenting the conditions of the camps or any aspect of their lives. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they have been reproduced and interpreted subsequently by the popular press and museums in constructing versions of public history.Considering such factors as artistic intention, institutional deployment, critical interpretation, and popular reception, Alinder provides calibrated readings of the photographs from this period. She uncovers the tension between Dorothea Lange's moving and critical images of the camps and the War Relocation Authority's blindly positive captions. She also analyzes Ansel Adams's attempt to combat negative war propaganda through humanizing photographs of Japanese Americans and locates the limits of such a counternarrative in the midst of a national mobilization against Japan.Moving Images examines the work of Japanese American photographers operating both during and after the incarceration, including Manzanar inmate Toyo Miyatake, who constructed his own camera to document the complicated realities of camp life for his fellow inmates. More recently, contemporary artists Patrick Nagatani and Masumi Hayashi have used photography to reckon with the legacy of incarceration by journeying to the camp sites and creating photographs that bridge the intergenerational divides between their parents, themselves, and their children.Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment.

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Frequently Asked Questions

  • Q: What is the main focus of 'Moving Images: Photography and the Japanese American Incarceration'? A: The book primarily explores the role of photography during the Japanese American incarceration, examining how it was used by the government and the Japanese American community to represent their experiences.
  • Q: Who is the author of the book? A: The author is Jasmine Alinder, who provides critical insights into the intersection of photography and the history of Japanese American incarceration.
  • Q: What historical period does this book cover? A: The book covers the period of the Japanese American incarceration during World War II, particularly focusing on events following the attack on Pearl Harbor.
  • Q: How many pages does 'Moving Images' have? A: The book contains 207 pages.
  • Q: What type of binding does this book have? A: This edition of 'Moving Images' is available in paperback binding.
  • Q: Is this book suitable for academic study? A: Yes, 'Moving Images' is suitable for academic study, particularly in fields such as history, Asian American studies, and photography.
  • Q: Are there photographs included in this book? A: Yes, 'Moving Images' is illustrated with more than forty photographs that enhance the narrative and analysis presented by the author.
  • Q: What is the publication date of this book? A: The book was published on December 6, 2010.
  • Q: What edition is this book? A: This is the First Edition of 'Moving Images: Photography and the Japanese American Incarceration'.
  • Q: Can this book help understand the impact of photography on public history? A: Yes, the book analyzes how photography has been used to construct public history and interpret the experiences of Japanese Americans during incarceration.