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Mughal Badshaho Ki Hindi Kavita
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After Reading AnamikaS New Collection, Tokari Mein Diganta - Theri Gatha: 2014, My First Impression Was That The Entire Work Is A Long Poem, Containing Numerous Small Scenes, Episodes, And Ordinary Women Of Our Time Wrapped In The Metaphor Of Theris. The Date Of 2014 In The CollectionS Title Suggests, I Believe, That The Entire CollectionS Emphasis Is On This Time-Context Rather Than On Theri Gatha. The Collection Begins With A Short Preface, Which Should Be Read In Conjunction With The Poems. Buddha Is At The Center Of Many Poems, Repeatedly Questioned And Undoubtedly Accepted As A Beacon Of Light! This New Collection Contains Numerous Quotable Passages Or Lines That Linger In The ReaderS Mind. Without Any Logical Coherence, The Entire Collection Feels Like A Poetic Canvas With An Open Ending. According To Its Author Herself, Present And Past, History And Legend, Imagination And Reality Can Be Seen Dancing Together Here Like A Wandering Paraiya. Unlike The Familiar Landscape Of TodayS WomenS Writing, This Is A New Imaginative Creation That, Instead Of Forcing Its Lines On The Reader, Speaks To Them, And In Doing So, Secretly Imprints Its Meaning In Their Memory. Perhaps This Is A New Poetic Genre That Will Attract The Attention Of Poetry Lovers. As A Reader Of Contemporary Poetry, I Felt That This Work Is An Introduction To A New Poetic Language, One That Opens Many Closed Doors Of Consonance, And All This Happens Around A Local Center. This Is An Intervention Of Subaltern Sensibility Into The Familiar World Of Poetry, One That Will Not Go Unnoticed. - Kedarnath Singh.
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