Title
Music: A Subversive History
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A Dauntingly Ambitious, Obsessively Researched (Los Angeles Times) Global History Of Music That Reveals How Songs Have Shifted Societies And Sparked Revolutions.Histories Of Music Overwhelmingly Suppress Stories Of The Outsiders And Rebels Who Created Musical Revolutions And Instead Celebrate The Mainstream Assimilators Who Borrowed Innovations, Diluted Their Impact, And Disguised Their Sources. In Music: A Subversive History, Ted Gioia Reclaims The Story Of Music For The Riffraff, Insurgents, And Provocateurs.Gioia Tells A Fourthousandyear History Of Music As A Global Source Of Power, Change, And Upheaval. He Shows How Outcasts, Immigrants, Slaves, And Others At The Margins Of Society Have Repeatedly Served As Trailblazers Of Musical Expression, Reinventing Our Most Cherished Songs From Ancient Times All The Way To The Jazz, Reggae, And Hiphop Sounds Of The Current Day.Music: A Subversive History Is Essential Reading For Anyone Interested In The Meaning Of Music, From Sappho To The Sex Pistols To Spotify.
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- Q: How many pages does 'Music: A Subversive History' have? A: The book has five hundred twenty-eight pages. This makes it a comprehensive read for those interested in music history.
- Q: What are the dimensions of 'Music: A Subversive History'? A: The book measures six point three eight inches in length, one point six two inches in width, and nine point five inches in height. These dimensions make it a standard size for a hardcover book.
- Q: What type of binding does 'Music: A Subversive History' have? A: The book is hardcover bound. This provides durability and makes it suitable for repeated readings.
- Q: Who is the author of 'Music: A Subversive History'? A: The author is Ted Gioia. He is known for his extensive research and insights into the history of music.
- Q: What genre does 'Music: A Subversive History' belong to? A: The book falls under the category of History & Criticism. It explores music's role in societal change.
- Q: Is 'Music: A Subversive History' suitable for young readers? A: Yes, it is suitable for mature young readers interested in music history. However, adult supervision may be beneficial due to complex themes.
- Q: How can I use 'Music: A Subversive History' for study purposes? A: You can use it as a reference for music history and cultural studies. It's also suitable for academic discussions and assignments.
- Q: Is this book good for someone who is new to music history? A: Yes, it is accessible for beginners. Ted Gioia presents music history in a compelling manner that can engage new audiences.
- Q: How should I store 'Music: A Subversive History'? A: Store it upright on a shelf to prevent warping. Keeping it in a cool, dry place will help maintain its condition.
- Q: What is the best way to care for 'Music: A Subversive History'? A: To care for it, avoid exposure to direct sunlight and moisture. Handle it gently to preserve the binding and pages.
- Q: Can I return 'Music: A Subversive History' if I don't like it? A: Yes, you can return it according to the seller's return policy. Make sure to keep the receipt and packaging for a smoother return process.
- Q: What if 'Music: A Subversive History' arrives damaged? A: You should contact the seller immediately for assistance. Most sellers will offer a replacement or refund for damaged items.
- Q: Is there a warranty on 'Music: A Subversive History'? A: Typically, books do not come with a warranty. However, check with the seller for any specific guarantees.
- Q: How does 'Music: A Subversive History' compare to other music history books? A: It offers a unique perspective by focusing on the voices of outsiders and rebels, unlike many mainstream music history books.
- Q: Is 'Music: A Subversive History' suitable for academic research? A: Yes, it is suitable for academic purposes. The book is well-researched and provides valuable insights into music's influence on society.
- Q: Does 'Music: A Subversive History' include illustrations or photos? A: No, the book primarily contains text. It focuses on narrative and analysis rather than visual elements.