Title
Music As Cultural Practice, 18001900 (California Studies In 19Thcentury Music) (Volume 8)
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In Music As Cultural Practice, Lawrence Kramer Adapts The Resources Of Contemporary Literary Theory To Forge A Genuinely New Discourse About Music. Rethinking Fundamental Questions Of Meaning And Expression, He Demonstrates How European Music Of The Nineteenth Century Collaborates On Equal Terms With Textual And Sociocultural Practices In The Constitution Of Self And Society.In Kramer'S Analysis, Compositional Processes Usually Understood In Formal Or Emotive Terms Reappear As Active Forces In The Work Of Cultural Formation. Thus Beethoven'S Last Piano Sonata, Op. 111, Forms Both A Realization And A Critique Of Romantic Utopianism; Liszt'S Faust Symphony Takes Bourgeois Gender Ideology Into A Troubled Embrace; Wagner'S Tristan Und Isolde Articulates A Basic Change In The Cultural Construction Of Sexuality. Through Such Readings, Kramer Works Toward The Larger Conclusion That Nineteenthcentury European Music Is Concerned As Much To Challenge As To Exemplify An Ideology Of Organic Unity And Subjective Wholeness. Anyone Interested In Music, Literary Criticism, Or Nineteenthcentury Culture Will Find This Book Pertinent And Provocative.
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This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the page count of this book? A: This book contains two hundred forty-four pages. It provides an in-depth exploration of music as a cultural practice during the nineteenth century.
- Q: What are the dimensions of this book? A: The book measures five point nine one inches in length, zero point five nine inches in width, and eight point nine inches in height. These dimensions make it portable and easy to handle.
- Q: What type of binding does this book have? A: This book is published in paperback binding. This makes it flexible and lightweight, ideal for reading on the go.
- Q: Who is the author of this book? A: The author of this book is Lawrence Kramer. He utilizes contemporary literary theory to delve into music's role in cultural practices.
- Q: What genre does this book belong to? A: This book falls under the genre of ethnomusicology. It examines the intersection of music with cultural and societal contexts.
- Q: How do I approach reading this book? A: To read this book, simply start from the beginning and engage with the text. It's suitable for anyone interested in the cultural implications of music.
- Q: Is this book suitable for beginners in music theory? A: Yes, this book is suitable for beginners. It provides accessible insights into complex ideas regarding music and culture.
- Q: What themes are explored in this book? A: This book explores themes such as the collaboration between music and sociocultural practices, as well as critiques of Romantic ideals.
- Q: Can I use this book for academic research? A: Yes, this book is an excellent resource for academic research. It offers analytical perspectives on nineteenth-century music and its cultural significance.
- Q: How should I care for this book? A: To care for this book, keep it in a cool, dry place and avoid exposure to direct sunlight. This will help preserve its condition.
- Q: Is this book safe to handle for all ages? A: Yes, this book is safe to handle for all ages. It does not contain any adult content or sensitive material.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller for return instructions. They can guide you on how to proceed with a replacement or refund.
- Q: Is there a warranty for this book? A: No, there is no warranty for this book. However, you can check the return policy with the retailer.
- Q: How does this book compare to other music history texts? A: This book offers a unique perspective by integrating literary theory into music analysis, making it distinct from traditional music history texts.
- Q: What is the target audience for this book? A: The target audience includes students, scholars, and anyone interested in the cultural aspects of music, particularly in the nineteenth century.