Music As Discourse: Semiotic Adventures In Romantic Music (Oxford Studies In Music Theory)

Music As Discourse: Semiotic Adventures In Romantic Music (Oxford Studies In Music Theory)

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The Question Of Whether Music Has Meaning Has Been The Subject Of Sustained Debate Ever Since Music Became A Subject Of Academic Inquiry. Is Music A Language? Does It Communicate Specific Ideas And Emotions? What Does Music Mean, And How Does This Meaning Occur?Kofi Agawu'S Music As Discourse Promises To Quickly Become A Standard And Definitive Work In Musical Semiotics. Working At The Nexus Of Musicology, Ethnomusicology, And Music Philosophy And Aesthetics, Agawu Presents A Synthetic And Innovative Approach To Musical Meaning Which Argues Deftly For The Thinking Of Music As A Discourse In Itselfcomposed Not Only Of Sequences Of Gestures, Phrases, Or Progressions, But Rather Also Of The Very Philosophical And Linguistic Props That Enable The Analytical Formulations Made About Music As An Object Of Study. The Book Provides Extensive Demonstration Of The Pertinence Of A Semiological Approach To Understanding The Fullyfreighted Language Of Romantic Music, Stresses The Importance Of A Generative Approach To Tonal Understanding, And Provides Further Insight Into The Analogy Between Music And Language. Music As Discourse Will Be Eagerly Read By All Who Are Interested In The Theory, Analysis And Semiotics Of Music Of The Romantic Period.

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  • Q: How many pages does this book have? A: This book has three hundred fifty-two pages. It provides a comprehensive exploration of musical semiotics and meaning.
  • Q: What is the binding type of this book? A: The binding type is hardcover. This ensures durability and a premium feel for readers.
  • Q: What are the dimensions of this book? A: The dimensions are nine point four one inches in length, six point two inches in height, and one point two inches in width. These dimensions make it easy to handle and read.
  • Q: Who is the author of this book? A: The author is Kofi Agawu. He is a noted scholar in the fields of musicology and semiotics.
  • Q: What genre does this book belong to? A: This book belongs to the Theory genre. It focuses on the analysis and philosophy of music, particularly in the romantic period.
  • Q: Is this book suitable for beginners in music theory? A: Yes, this book is suitable for beginners. It introduces concepts of musical meaning in an accessible manner.
  • Q: How can I utilize the insights from this book? A: You can utilize the insights by applying the semiotic approach to analyze romantic music. This can enhance your understanding and appreciation of musical discourse.
  • Q: Is this book appropriate for academic use? A: Yes, this book is appropriate for academic use. It is a definitive work in musical semiotics and widely referenced in scholarly discussions.
  • Q: What level of prior knowledge is needed to understand this book? A: Basic knowledge of music theory is beneficial, but not required. The author explains concepts clearly, making it accessible to a wider audience.
  • Q: How should I store this book to keep it in good condition? A: Store this book upright on a shelf in a dry area. Avoid exposing it to direct sunlight to prevent fading and damage.
  • Q: Can I clean the cover of this book? A: Yes, you can clean the cover gently with a dry cloth. Avoid using water or cleaning solutions to protect the binding.
  • Q: What should I do if I receive a damaged book? A: If you receive a damaged book, contact the seller for a return or exchange. Most sellers provide customer support for such issues.
  • Q: Is there a warranty for this book? A: No, books typically do not come with a warranty. However, check the return policy for any guarantees.
  • Q: How do I return this book if needed? A: To return this book, follow the seller's return instructions, usually found on their website. Keep the original packaging for a smoother return process.
  • Q: What makes this book unique in its approach? A: This book offers a unique perspective by integrating philosophy and linguistics with music analysis. It emphasizes music as a form of discourse.
  • Q: Are there any similar books to this one? A: Yes, other books in music theory and semiotics may cover similar themes. Look for titles in the Oxford Studies in Music Theory series.

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