Title
Music at the Limits (Columbia Themes in Philosophy, Social Criticism, and the Arts),Used
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Music at the Limits is the first book to bring together three decades of Edward W. Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and opera.Music at the Limits offers both a fresh perspective on canonical pieces and a celebration of neglected works by contemporary composers. Said faults the Metropolitan Opera in New York for being too conservative and laments the way in which opera superstars like Pavarotti have 'reduced opera performance to a minimum of intelligence and a maximum of overproduced noise.' He also reflects on the censorship of Wagner in Israel; the worrisome trend of proliferating music festivals; an opera based on the life of Malcolm X; the relationship between music and feminism; the pianist Glenn Gould; and the works of Mozart, Bach, Richard Strauss, and others.Said wrote his incisive critiques as both an insider and an authority. He saw music as a reflection of his ideas on literature and history and paid close attention to its composition and creative possibilities. Eloquent and surprising, Music at the Limits preserves an important dimension of Said's brilliant intellectual work and cements his reputation as one of the most influential and groundbreaking scholars of the twentieth century.
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- Q: How many pages does the book have? A: This book has three hundred forty-four pages. It offers a comprehensive collection of Edward W. Said's essays on music.
- Q: What is the binding type of the book? A: The binding type is hardcover. This provides durability and a classic aesthetic for collectors and readers.
- Q: What are the dimensions of the book? A: The book's dimensions are six point three four inches in length, one point two six inches in width, and nine point two eight inches in height. This size makes it easy to handle and read.
- Q: Who is the author of this book? A: The author is Edward W. Said. He is renowned for his insights into music, literature, and cultural criticism.
- Q: What topics does the book cover? A: The book covers a range of topics including music's social, political, and cultural contexts. It discusses composers, musicians, and the evolution of opera and classical music.
- Q: Is this book suitable for all ages? A: Yes, the book is suitable for all ages. However, it may be most appreciated by those with an interest in music, philosophy, and cultural criticism.
- Q: How can I benefit from reading this book? A: You can gain a deeper understanding of the relationship between music and society. It provides fresh perspectives on classical music and critiques of contemporary performances.
- Q: Does the book include a discussion on modern composers? A: Yes, the book includes discussions on both canonical pieces and neglected works by contemporary composers. This offers a balanced view of music history.
- Q: How should I store this book? A: You should store the book in a cool, dry place to maintain its condition. Keeping it upright on a bookshelf is ideal to prevent bending.
- Q: Is there a warranty or return policy for this book? A: Typically, books do not come with a warranty. However, you can check the seller's return policy for any specific terms regarding unsatisfactory purchases.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller immediately. Most sellers will have a process for returns or exchanges.
- Q: Can this book be given as a gift? A: Yes, this book makes an excellent gift for music lovers and scholars. Its depth and insights are valuable for anyone interested in culture and criticism.
- Q: How can I clean this book? A: To clean the book, gently dust the cover with a soft, dry cloth. Avoid using liquids as they may damage the binding and pages.
- Q: What makes this book unique? A: This book is unique because it compiles three decades of Edward W. Said's thoughts on music, showcasing his dual role as an insider and critic.
- Q: Is the book part of a series? A: Yes, the book is part of the Columbia Themes in Philosophy, Social Criticism, and the Arts series. This context enriches its thematic exploration.
- Q: What genres does this book belong to? A: The book belongs to the History & Criticism genre, focusing specifically on music. It engages with philosophical and social critiques.