Title
Music for the Dance: Reflections on a Collaborative Art (Contributions to the Study of Music and Dance),Used
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Teck explores the creation and performance of music for ballet, modern concert dance, and musical theater dance in 20thcentury America. The author writes from her perspective as a professional musician with a graduate degree in composition and extensive experiences as an accompanist for dance. Dividing her study into four sections (Creation, Performance, Silent Artists Speak, and Toward the Future), Teck investigates issues that arise in music and dance collaborations. She presents personal interviews with composers, choreographers, conductors, and performers of both music and dance along with her own reflections on a number of interesting and rarely addressed issues. Two of the most engaging are What is musicality in a dancer?' and How does one obtain new music for choreography?' ChoiceMusic is the most constant partner for the dancer in America today, yet it is often the one least written about, least understood, and most challenging to work with effectively. This book is an exploration of contemporary musical collaboration for the dance in 20th century America. It offers an overview of music for theatrical dance in both the creative collaboration and performance of ballet, modern dance, and show styles. Written to be understandable to most theatergoers, this engaging study is based on exclusive personal interviews with outstanding artists in the field of dance, including choreographers, composers, instrumental performers, and dancers themselves, and it presents information that will be helpful to students and professionals as well. Focusing on some of the more practical aspects of music and dance production, the book addresses a number of important questions, such as how choreographers choose music for their dances, how composers know what to write for a ballet, how conductors accommodate the needs of dancers, what dancers need to know about music, what musicality is in a dancer, and how electronic sound technology has been used artistically for dance.Music for the Dance deals with the creative collaborations of choreographers and composers, elements of musical performance, the aesthetics and experiences of dancers in regard to music, the musical training of dancers, and current trends in theatrical dance music. It examines, through the experiences of practicing professionals, the various relationships of sound and movement, and presents a broad view of the art of dance as it is today. This definitive work will be read with interest by dance students and teachers, musicians, theater goers, and patrons and managers of dance companies and arts organizations.
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This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
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- Q: How many pages does the book have? A: This book has two hundred fifty-two pages. It provides an in-depth exploration of music and dance collaboration.
- Q: What is the binding type of this book? A: The binding type is hardcover. This makes it durable and suitable for frequent use.
- Q: What are the dimensions of the book? A: The dimensions are six point fourteen inches in length, nine point twenty-five inches in height, and zero point ninety-eight inches in width.
- Q: Who is the author of 'Music for the Dance'? A: The author is Katherine Teck. She has extensive experience as a professional musician and accompanist for dance.
- Q: What topics are covered in the book? A: The book covers music creation and performance for ballet, modern dance, and musical theater. It includes personal interviews and reflections on music-dance collaborations.
- Q: Is this book suitable for beginners in dance? A: Yes, it is suitable for beginners. The author presents concepts in an understandable manner for theater-goers and dance students alike.
- Q: Can this book help choreographers in choosing music? A: Yes, it provides insights into how choreographers select music for their dances. It addresses common questions regarding music choice in choreography.
- Q: Is the content of this book appropriate for all ages? A: Yes, the content is appropriate for all ages. It discusses the artistic collaboration between music and dance without adult themes.
- Q: How can I use this book for my dance studies? A: You can use this book as a resource for understanding musical collaboration in dance. It includes interviews and practical advice relevant to dance studies.
- Q: What is the best way to care for this hardcover book? A: To care for this book, keep it in a dry place and handle it gently. Avoid exposure to excessive moisture or direct sunlight.
- Q: Is there a warranty or return policy for this book? A: Typically, books do not come with a warranty, but you can check the return policy of the retailer for specific terms.
- Q: What should I do if I receive a damaged copy? A: If you receive a damaged copy, contact the retailer or publisher for a replacement or refund. Keep your receipt as proof of purchase.
- Q: Can I gift this book to a friend interested in dance? A: Yes, this book makes a great gift for anyone interested in dance or music. It offers valuable insights into the collaboration between the two.
- Q: How does this book compare to others in the dance genre? A: This book is unique due to its focus on musical collaboration in dance, featuring personal interviews from artists, which is less common in other dance literature.
- Q: Are there any electronic resources mentioned in the book? A: Yes, the book discusses how electronic sound technology has been used artistically for dance. It explores modern techniques in music for choreography.