Title
Music In German Immigrant Theater: New York City, 18401940 (Eastman Studies In Music, 62)
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A History The First Ever Of The Abundant Traditions Of Germanamerican Musical Theater In New York, And A Treasure Trove Of Songs And Information.Nineteenthcentury New York Was, After Berlin And Vienna, The Third Largest Germanpopulated City In The World. Germanlanguage Musical Plays And Light Operas Held An Important Niche In The Lives Of German Immigrants And Their Families. John Koegel'S Music In German Immigrant Theater: New York City, 18401940, Tells, For The First Time, The Engrossing Story Of These Theater Works, And The Many Musical Numbers From Them That Became Popular As Separate Songs.Koegel Documents Performances, In German, Of Plays By Shakespeare And Goethe And Operas By Offenbach, Verdi, And Johann Strauss. And He Draws Longneeded Attention To Germanamerican Musical Comedies Written, Beginning In The 1890S, By Ethnic Parodist Adolf Philipp. As Their Titles Suggest Der Corner Grocer Aus Der Avenue A And Der Pawnbroker Von Der Eastside These Musicals Related Directly To The Daily Experiences Of Theimmigrant Population.Music In German Immigrant Theater Is Enriched By Copious Photographs, Sheetmusic Title Pages, And Musical Examples, As Well As Numerous Sets Of Song Lyrics Some Uproarious, Others Touching In German And In English Translation. The Accompanying Cd Includes Recordings Of Many Of The Songs Discussed In The Book.John Koegel Is Professor Of Musicology At California State University, Fullerton. Winner 2009 Foreword Reviews' Book Of The Year Award, Music Category. This Book Is Also Included In The Aaup'S 2010 University Press Books Selected For Public And Secondary School Libraries Along With A Number Of Other Urp Books.
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- Q: What is the page count of the book? A: This book contains six hundred twenty-four pages. It provides a comprehensive exploration of German-American musical theater.
- Q: What is the binding type of this book? A: The binding type is hardcover. This ensures durability and a professional appearance.
- Q: Who is the author of this book? A: The author is Professor John Koegel. He is a recognized expert in musicology.
- Q: What themes are covered in this book? A: The book covers themes of German-American musical theater history. It discusses performances, songs, and cultural significance.
- Q: Is this book suitable for all ages? A: Yes, this book is suitable for all ages. It contains historical content that can be appreciated by a wide audience.
- Q: How do I read this book effectively? A: You can read this book by following the chapters sequentially. Each chapter provides insights into different aspects of German musical theater.
- Q: Is there a specific audience for this book? A: This book is ideal for music scholars, historians, and theater enthusiasts. It offers valuable information for anyone interested in cultural studies.
- Q: Is there a CD included with the book? A: Yes, a CD is included with the book. It features recordings of many songs discussed in the text.
- Q: What should I do to keep this book in good condition? A: To keep this book in good condition, store it upright in a dry place. Avoid exposing it to direct sunlight to prevent fading.
- Q: Can I return this book if I'm not satisfied? A: Yes, you can return this book if you are not satisfied. Please check the specific return policy from the seller.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact customer service immediately for a replacement or refund.
- Q: Does this book include photographs? A: Yes, the book includes numerous photographs. These visuals enhance the understanding of the discussed musical theater traditions.
- Q: What type of musical compositions are featured in this book? A: The book features a variety of musical compositions, including operas and musical comedies from the German-American tradition.
- Q: Are there translations of song lyrics in the book? A: Yes, the book contains translations of song lyrics in both German and English. This makes it accessible to non-German speakers.
- Q: What is the main focus of the book? A: The main focus of the book is the history of German-American musical theater in New York City. It offers insights into cultural integration through music.