Music in German Immigrant Theater: New York City, 18401940 (Eastman Studies in Music, 62),Used

Music in German Immigrant Theater: New York City, 18401940 (Eastman Studies in Music, 62),Used

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A history the first ever of the abundant traditions of GermanAmerican musical theater in New York, and a treasure trove of songs and information.Nineteenthcentury New York was, after Berlin and Vienna, the third largest Germanpopulated city in the world. Germanlanguage musical plays and light operas held an important niche in the lives of German immigrants and their families. John Koegel's Music in German Immigrant Theater: New York City, 18401940, tells, for the first time, the engrossing story of these theater works, and the many musical numbers from them that became popular as separate songs.Koegel documents performances, in German, of plays by Shakespeare and Goethe and operas by Offenbach, Verdi, and Johann Strauss. And he draws longneeded attention to GermanAmerican musical comedies written, beginning in the 1890s, by ethnic parodist Adolf Philipp. As their titles suggest Der Corner Grocer aus der Avenue A and Der Pawnbroker von der Eastside these musicals related directly to the daily experiences of theimmigrant population.Music in German Immigrant Theater is enriched by copious photographs, sheetmusic title pages, and musical examples, as well as numerous sets of song lyrics some uproarious, others touching in German and in English translation. The accompanying CD includes recordings of many of the songs discussed in the book.John Koegel is Professor of Musicology at California State University, Fullerton. WINNER 2009 ForeWord Reviews' Book of the Year Award, music category. This book is also included in the AAUP's 2010 University Press Books Selected for Public and Secondary School Libraries along with a number of other URP books.

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Frequently Asked Questions

  • Q: What is the main focus of 'Music in German Immigrant Theater: New York City, 1840-1940'? A: The book explores the history of German-American musical theater in New York from 1840 to 1940, highlighting the musical traditions and performances that were significant to German immigrants.
  • Q: Who is the author of this book? A: The author is Professor John Koegel, who is a Professor of Musicology at California State University, Fullerton.
  • Q: What type of content can I expect to find in this book? A: The book includes a history of German-American musical theater, discussions of notable performances, song lyrics in German and English, photographs, and a CD with recordings of songs.
  • Q: Is this book suitable for academic research? A: Yes, this book is suitable for academic research as it provides detailed documentation and analysis of German musical theater, making it a valuable resource for musicology and cultural studies.
  • Q: What is the binding type of this book? A: The book is bound in hardcover.
  • Q: How many pages does the book have? A: The book has a total of 624 pages.
  • Q: When was 'Music in German Immigrant Theater' published? A: The book was published on June 4, 2009.
  • Q: What awards has this book received? A: It won the 2009 ForeWord Reviews' Book of the Year Award in the music category.
  • Q: Are there any notable musical works discussed in this book? A: Yes, the book discusses performances of works by Shakespeare, Goethe, and operas by composers like Offenbach, Verdi, and Johann Strauss.
  • Q: Is there any additional material included with the book? A: Yes, the book comes with an accompanying CD that includes recordings of many of the songs discussed in the text.