Title
Music In The Mind: The Concepts Of Music And Musician In Afghanistan
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Music Is Central To Many Important Events In The Islamic World. Yet Many Members Of Islamic Society Who Follow The Teachings Of The Qur'An Hold Music And Musicians In Very Little Regard. Hiromi Lorraine Sakata Examined This Paradox During Her Research In Afghanistan In The Late 1960S And Early 1970S, And Produced This Insightful Book.Through Case Studies In The City Of Herat (Western Afghanistan), The Remote Provincial Capital Faizabad (Northeastern Afghanistan), And The Village Of Khadir (Central Afghanistan), Sakata Discusses Traditional Islamic Concepts Of Music And Musician And Interprets Modern Attitudes Towards Them Both. She Pays Particular Attention To The Term Musiqi (Which Can Be Generally Translated As Secular Music) And How Misinterpretations Of This Construct May Be The Root Of Western Misunderstandings About Music And Musicians In Muslim Societies.Sakata Collaborated With Smithsonian Folkways Recordings To Produce A Cd Of Afghan Music, Which Is Included With The Book.
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- Q: What are the dimensions of the book? A: The book measures six point four four inches in length, nine point four eight inches in height, and zero point nine two inches in width.
- Q: How many pages does the book have? A: The book contains two hundred forty-six pages, providing an in-depth exploration of music concepts in Afghanistan.
- Q: What is the binding type of this book? A: The book is bound in hardcover, ensuring durability and longevity for readers.
- Q: How do I read this book? A: You can read this book by simply opening it and following the text from the beginning to the end, engaging with the case studies and concepts presented.
- Q: Is this book suitable for beginners in ethnomusicology? A: Yes, this book is suitable for beginners as it provides foundational insights into music concepts within Islamic societies.
- Q: What is the recommended reading level for this book? A: The book is appropriate for adult readers and those with a scholarly interest in ethnomusicology and cultural studies.
- Q: How should I care for this book? A: To keep the book in good condition, store it upright in a dry, cool place and avoid exposing it to direct sunlight.
- Q: Can I clean the book if it gets dirty? A: Yes, if the book gets dirty, you can gently wipe the cover with a soft, dry cloth to remove any dust or smudges.
- Q: Should I be concerned about the book's condition when buying used? A: Yes, ensure that the used book is in good condition, as it may have wear and tear typical of second-hand items.
- Q: How does this book compare to others in ethnomusicology? A: This book offers unique case studies from Afghanistan, making it distinct in its focus on traditional Islamic music concepts compared to broader ethnomusicology texts.
- Q: Is this book a good choice for music scholars? A: Yes, this book is an excellent choice for music scholars interested in the intersection of culture and music in Islamic societies.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact the seller immediately to discuss return options or replacements.
- Q: Is there a warranty for this book? A: Typically, books do not come with a warranty; however, check with the seller for their return policy.
- Q: Can I return the book if I don't like it? A: Yes, you can usually return the book if it is in its original condition, but check the specific return policy of the seller.
- Q: What if I have missing pages in my copy? A: If you discover missing pages in your copy, reach out to the seller for a replacement or refund.