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Navigation Beyond Vision (Sternberg Press / eflux journal),Used
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How the shift from montage to navigation alters the way imagesand artoperate as models of political action and modes of political intervention.Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude.Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montageediting distinct sections of film into a continuous sequenceas the dominant paradigm of technopolitical visuality. For Farocki, the computeranimated, navigable images that constitute the twentyfirst century's "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way imagesand artoperate as models of political action and modes of political intervention?Navigation Beyond Vision originated in a conference organized by the Harun Farocki Institut (HaFI) and eflux at the Haus der Kulturen der Welt (HKW) in Berlin in 2019.ContributorsJames Bridle, Kodwo Eshun, Jennifer Gabrys, Tom Holert, Ramon Amaro and Murad Khan, Doreen Mende, Matteo Pasquinelli, Laura Lo Presti, Patricia Reed, Mariana Silva, Nikolay Smirnov, Oraib Toukan, Brian Kuan Wood
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