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New Essays on Performance Practice,Used
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Demonstrates once again the qualities of perhaps the most consistently stimulating scholar of 17th and 18thcentury performance practice writing today. Sure to become a standard resource in its field.' Jane Stevens, DYALEUNIVERSITYThe eighteen witty and provocative essays in this collection spanperformance issues in music from Vivaldi and Bach to Mozart and Haydn.Two survey the early music movement and the creed of authenticity,two ornamentation in the music of Haydn,and one performance problemsin music of Mozart. Other essays argue for contextual examinationof binary and ternary rhythmic conflicts, refute the attempt to universalise the application of the French principle of notes ingales, question the historical justification' for nonvibrato singing and playing of early music, and challenge the practice of literal interpretation of ornament tables.FREDERICK NEUMANN has since 1955 been affiliated with the University of Richmond (Virginia) as Professor Emeritus of music.
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- Q: What is the main focus of 'New Essays on Performance Practice'? A: The book explores various performance issues in music from the works of composers such as Vivaldi, Bach, Mozart, and Haydn, providing insightful essays on historical performance practices.
- Q: Who is the author of this book? A: The author is Frederick Neumann, a recognized scholar affiliated with the University of Richmond as a Professor Emeritus of music.
- Q: How many essays are included in this collection? A: The collection features eighteen essays that discuss a range of topics related to performance practice in early music.
- Q: What topics are covered in the essays? A: Topics include the early music movement, ornamentation in Haydn's music, rhythmic conflicts, nonvibrato singing, and the interpretation of ornament tables.
- Q: What is the condition of the used book? A: The book is listed as 'Used Book in Good Condition,' indicating that it has been previously owned but is still in acceptable shape for reading.
- Q: What is the binding type of this book? A: The book is published in paperback binding.
- Q: When was 'New Essays on Performance Practice' published? A: The book was published on January 1, 1989.
- Q: How many pages does the book have? A: The book contains a total of 268 pages.
- Q: Is this book suitable for beginners in music performance? A: While the book provides valuable insights, it may be more suited for those with some background knowledge in music performance, as it discusses advanced concepts.
- Q: What makes this book a standard resource in its field? A: The book's collection of essays is recognized for its scholarly depth and engaging writing, making it a valuable resource for both students and professionals interested in performance practices of early music.