Title
New Vocabularies In Film Semiotics (Sightlines (Paperback)),Used
Processing time: 1-3 days
US Orders Ships in: 3-5 days
International Orders Ships in: 8-12 days
Return Policy: 15-days return on defective items
Payment Option
First Published In 1992. New Vocabularies In Film Semiotics Provides A Comprehensive Lexicon Of Semiotic Concepts. With Sections On Linguistics, Narratology, Psychoanalysis And Intertextuality, It Constructs An Indispensable Dictionary For Film Theory, Defining Over Five Hundred Critical Terms. The Authors Address Key Aspects Of Contemporary Semiotics And Cultural Debate, While Referring To The Work Of Key Figures Such As Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin And Baudrillard. The Semiotic Concepts Are Illustrated By Examples Drawn From The Films Of Directors Such As Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman And Woody Allen. Although Especially Geared To The Needs Of Film Students, New Vocabularies In Film Semiotics Should Be Useful For Scholars In All Areas Of The Arts, Philosophy And Literature.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the page count of 'New Vocabularies in Film Semiotics'? A: This book has two hundred fifty-six pages. It provides a detailed exploration of semiotic concepts in film.
- Q: What are the dimensions of this book? A: The dimensions are six point fourteen inches in length, zero point fifty-nine inches in width, and nine point twenty-one inches in height.
- Q: What binding type does this book have? A: The book is available in paperback binding. This format is lightweight and flexible, making it easy to handle.
- Q: Who is the author of 'New Vocabularies in Film Semiotics'? A: The author is Robert Stam. He is known for his contributions to film theory and semiotics.
- Q: What genre does this book belong to? A: This book belongs to the Performing Arts genre. It focuses specifically on film semiotics and theory.
- Q: What are the main themes explored in the book? A: The book explores themes of linguistics, narratology, psychoanalysis, and intertextuality in film. It serves as a comprehensive lexicon of semiotic concepts.
- Q: Is this book suitable for beginners in film studies? A: Yes, it is suitable for beginners. It is designed to meet the needs of film students and scholars.
- Q: How can I use this book for my studies? A: You can use this book as a reference guide for understanding semiotic concepts in film theory. It defines over five hundred critical terms.
- Q: Are there examples from films in this book? A: Yes, the book includes examples from various films. It references the works of directors such as Welles, Hitchcock, and Godard.
- Q: How should I care for this paperback book? A: To care for this book, keep it in a dry place and avoid exposure to direct sunlight. This helps preserve its quality.
- Q: Can this book be used for academic research? A: Yes, this book is useful for academic research. It addresses key aspects of contemporary semiotics and cultural debate.
- Q: What if my copy of the book arrives damaged? A: If your copy arrives damaged, you should contact the seller for return or exchange options. Most retailers have policies for such issues.
- Q: Is there a glossary in the book? A: Yes, the book includes a comprehensive glossary of semiotic terms. This aids readers in understanding complex concepts.
- Q: What other authors are referenced in this book? A: The book references key figures such as Peirce, Saussure, and Derrida. These contributions enrich the discussions on semiotics.
- Q: Is this book relevant for scholars outside film studies? A: Yes, it is relevant for scholars in arts, philosophy, and literature. Its insights are applicable across various disciplines.
- Q: What is the publication history of this book? A: This book was first published in nineteen ninety-two. It has since become a key text in film semiotics.