No Idle Hands: The Myths And Meanings Of Tramp Art

No Idle Hands: The Myths And Meanings Of Tramp Art

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SKU: SONG089013622X
UPC: 9780890136225
Brand: Museum Of New Mexico Press
Regular price$44.56
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Tramp Art Describes A Particular Type Of Wood Carving Practiced In The United States And Europe Between The 1880S And 1940S In Which Discarded Cigar Boxes And Fruit Crates Were Notched And Layered To Make A Variety Of Domestic Objects. These Were Primarily Boxes And Frames In Addition To Small Private Altars, Crosses, Wall Pockets, Clock Cases, Plant Stands, And Even Furniture. Whittling Objects Such As Chains And Ballincage Whimsies Was A Common Hobbyincluding Among Railriding Hobosand For Many Years Tramp Art Was Believed To Have Been Made By These Itinerants As Well. Although This Notion Has Been Widely Dispelled, The Name Has Stuck. In Recent Years Efforts Have Been Made To Identify Makers By Name And Reveal Their Stories. While Some Examples Of Tramp Art May Be Attributed To Itinerants, This Carving Style Was More Commonly A Practice Of Workingclass Men Creating Functional Objects For Their Households. No Idle Hands Presents More Than One Hundred And Fifty Tramp Art Objects Collected Mainly From The United States And Also Including Pieces From France, Germany, Switzerland, Scandinavia, Canada, Mexico, And Brazildemonstrating The Far Reach This Art Form Has Had. It Includes Works By Contemporary Artists, Thus Establishing Tramp Art As An Ongoing Folk Art Form Rather Than A Vestige Of The Past. The Pieces Reproduced Here Reveal An Artistic And Intricate Sensibility Applied To Each Handcrafted Piece. Essays Consider Assumptions About Tramp Art Related To Class, Quality, And The Anonymity Of Its Makers And Examine This Practice Through The Lens Of Home And Family While Tracing Its Relationship To The Tobacco Industry. The Book Will Cultivate An Appreciation Of An Art Form That Is As Thoughtprovoking As It Is Enduring.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: What is the size of 'No Idle Hands: The Myths and Meanings of Tramp Art'? A: The book measures nine point seven six inches in length, one inch in width, and eleven inches in height.
  • Q: How many pages does this book have? A: This book contains two hundred sixty-four pages, offering a comprehensive look at tramp art.
  • Q: What type of binding does this book have? A: This book features a hardcover binding, ensuring durability and a premium feel.
  • Q: Who is the author of this book? A: The author is Laura M. Addison, who explores the myths and meanings of tramp art.
  • Q: What is the main theme of 'No Idle Hands'? A: The main theme is the exploration of tramp art, its history, and its cultural significance.
  • Q: How can I utilize this book for research? A: You can use this book as a resource for understanding the history and artistic significance of tramp art in various cultures.
  • Q: Is this book suitable for art students? A: Yes, this book is suitable for art students interested in folk art and wood carving techniques.
  • Q: What kind of audience is this book aimed at? A: This book is aimed at art enthusiasts, historians, and anyone interested in the cultural history of tramp art.
  • Q: How should I store this book to keep it in good condition? A: Store this book upright on a shelf away from direct sunlight and humidity to maintain its condition.
  • Q: Can this book be cleaned? A: Yes, you can gently wipe the cover with a dry cloth to remove dust, but avoid using water or cleaners.
  • Q: What happens if the book arrives damaged? A: If the book arrives damaged, you can contact the seller for a return or exchange according to their policy.
  • Q: Is there a warranty for this book? A: Typically, books do not come with a warranty, but check with the seller for specific return policies.
  • Q: How does this book compare to other art history books? A: This book focuses specifically on tramp art, offering unique insights that may not be covered in broader art history texts.
  • Q: Is the content in this book suitable for all ages? A: Yes, the content is suitable for all ages, as it focuses on art and history without inappropriate material.
  • Q: What if I want to learn more about tramp art after reading this book? A: You can explore additional resources, such as online articles, documentaries, and art exhibitions related to tramp art.

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