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Notes On The Third Ear / Phantom Lure
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Two Original Essays Scrutinize The Use Of Acoustic Camouflage And The Outer Limits Of Unsound.In Phantom Lure Angus Carlyle Explores The Ways In Which The Frequency Spectrum Can Become A Site For Disguise And Deception. Acoustic Camouflage Is Deployed In The Concrete Curves Of Sound Mirrors, Military Battlefield Sensors, And Snipers Sonic Concealment Tactics, But Also In The Silent Steps Of The Hunter And The Mimicry Of Duck Calls, Antler Rattles, And Fox Flutes.This Trail Of Decoys Leads Us Into Forensic Acoustic Analysis, Electronic Voice Phenomena, And Music Encrypted With Secret SignalsFrom Metal Gear Solid To Windowlicker, From Moths Thoraxes To HorrorFilm Whispers, From Silent Escape To Turing Tests And Vocoders.In Notes On The Third Ear Steve Goodman Plunges Further Into The Thresholds Of Audibility And The JanusFaced Instrumentalization Of Vibration Involved In Sonic Warfare. Taking Cues From The Lore Surrounding Nguyn Vn Phong, An Elusive Vietnamese BioAcoustician Alleged To Have Influenced Several Us Psyops Campaigns, And Folding In The Friction And Fabulations Of His Own Experiences As An Artist, Goodman Charts The Outskirts Of Aurality With An Inventory Of The Tones, Booms, Blasts, Bleeps, Roars, Hisses, And Purrs That Populate The Liminal Space Between Art And War, Attack And Defense, Destruction And Healing, Detection And Deception, Aggression And Seduction, Fear And Delight, Signal And Camouflage, The Ferocious And The Cute. In An Era Marked By The Auricular Multiplication Of Machine Listening, Three Ears Is The Absolute Minimum.An Urbanomic KPulp Switch: Singular Texts By Two Different Authors In A Classic Pulp Format.
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