Old Futures: Speculative Fiction And Queer Possibility (Postmillennial Pop, 10)

Old Futures: Speculative Fiction And Queer Possibility (Postmillennial Pop, 10)

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Finalist, 2019 Locus Award For Nonfiction, Presented By The Locus Science Fiction Foundationtraverses The History Of Imagined Futures From The 1890S To The 2010S, Interweaving Speculative Visions Of Gender, Race, And Sexuality From Literature, Film, And Digital Mediaold Futures Explores The Social, Political, And Cultural Forces Feminists, Queer People, And People Of Color Invoke When They Dream Up Alternative Futures As A Way To Imagine Transforming The Present. Lothian Shows How Queer Possibilities Emerge When We Practice The Art Of Speculation: Of Imagining Things Otherwise Than They Are And Creating Stories From That Impulse. Queer Theory Offers Creative Ways To Think About Time, Breaking With Straight And Narrow Paths Toward The Future Laid Out For The Reproductive Family, The Lawabiding Citizen, And The Believer In Markets. Yet So Far It Has Rarely Considered The Possibility That, Instead Of A Queer Present Reshaping The Ways We Relate To Past And Future, The Futures Imagined In The Past Can Lead Us To Queer The Present.Narratives Of Possible Futures Provide Frameworks Through Which We Understand Our Present, But The Discourse Of ?He?Future Has Never Been A Singular One. Imagined Futures Have Often Been Central To The Creation And Maintenance Of Imperial Domination And Technological Modernity; Old Futures Offers A Counterhistory Of Works That Have Soughtwith Varying Degrees Of Successto Speculate Otherwise. Examining Speculative Texts From The 1890S To The 2010S, From Samuel R. Delany To Sense8, Lothian Considers The Ways In Which Early Feminist Utopias And Dystopias, Afrofuturist Fiction, And Queer Science Fiction Media Have Insisted That The Future Can And Must Deviate From Dominant Narratives Of Global Annihilation Or Highly Restrictive Hopes For Redemption.Each Chapter Chronicles Some Of The Means By Which The Production And Destruction Of Futures Both Real And Imagined Takes Place: Through Eugenics, Utopia, Empire, Fascism, Dystopia, Race, Capitalism, Femininity, Masculinity, And Many Kinds Of Queerness, Reproduction, And Sex. Gathering Stories Of And By Populations Who Have Been Marked As Futureless Or Left Out By Dominant Imaginaries, Lothian Offers New Insights Into What We Can Learn From Efforts To Imaginatively Redistribute The Future.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages does the book 'Old Futures' have? A: The book has three hundred fifty-two pages. It provides a comprehensive exploration of speculative fiction and its relation to gender, race, and sexuality.
  • Q: What is the binding type of this book? A: The binding type is paperback. This makes it lightweight and easy to handle while reading.
  • Q: What are the physical dimensions of 'Old Futures'? A: The book measures six inches in length, zero point eight seven inches in width, and nine point zero two inches in height. These dimensions make it a convenient size for reading.
  • Q: Is 'Old Futures' suitable for young readers? A: No, 'Old Futures' is intended for adult readers. It covers complex themes such as speculative fiction and queer theory, which may not be suitable for younger audiences.
  • Q: What genre does 'Old Futures' belong to? A: The book falls under the genre of literary criticism. It critically examines speculative fiction and its implications for societal futures.
  • Q: Who is the author of 'Old Futures'? A: The author is Alexis Lothian. She explores the intersections of speculative fiction and social justice throughout the book.
  • Q: How should I care for my copy of 'Old Futures'? A: Keep the book in a dry, cool place to protect it. Avoid exposing it to direct sunlight to prevent fading of the cover and pages.
  • Q: Is there a warranty for 'Old Futures'? A: No, there is no warranty for books like 'Old Futures'. However, you can check the return policy where you purchased it.
  • Q: Can I return 'Old Futures' if I'm not satisfied? A: Yes, you can return it if you're not satisfied, subject to the retailer's return policy. Make sure to keep the receipt for a smoother return process.
  • Q: What makes 'Old Futures' different from other books in literary criticism? A: It uniquely combines discussions of speculative fiction with themes of gender, race, and sexuality, offering a counterhistory of imagined futures.
  • Q: Are there illustrations in 'Old Futures'? A: Yes, the book contains forty illustrations. These visuals complement the text and enhance the reader's understanding of its themes.
  • Q: Does 'Old Futures' discuss contemporary issues? A: Yes, it draws connections between historical speculative texts and contemporary social and political issues. The book highlights ongoing discussions about power and representation.
  • Q: What themes are explored in 'Old Futures'? A: The book explores themes such as queerness, race, feminism, and the impact of speculative narratives on societal futures. It challenges traditional narratives.
  • Q: Is this book part of a series? A: Yes, 'Old Futures' is part of the Postmillennial Pop series. This series focuses on critical discussions in contemporary culture.
  • Q: Who published 'Old Futures'? A: The book was published by NYU Press. This publisher is known for its focus on academic and scholarly works.

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