Title
On Set
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In His Introduction To On Set, Director Alan Parker Speculates That It Was The Experience British Photogrpher Greg Williams Gained In War Zones Such As Grozny And Sierra Leone That Allowed Him To Come Away From 42 Movies With Such A Gripping Dossier On The Renaissance In British Film. The Absence Of Any Recent Serious Rivals To Williams' Filmset Documentary Work Supports The Notion That It Takes A Fearless, Cunning And Dedicated Individual To Manoeuvre Round The Obstacles Of Forbidding Publicists, Closed Sets, Irate Cameramen And Uncompliant Lighting. As A Photographer And Film Enthusiast, I Wanted To Revive The Genre Of The Life Magazine Set Reports Of The 1950S And 60S, Says Williams. For A Variety Of Reasons, The Past 30 Years Have Seen Photographic Access To The Film Industry Severely Restricted, Limited Mainly To Portrait Shots. I Wanted To Reestablish Reportage As A Respected Form Of Film Photography. Planned As An Editorial Project Exploring The Filmmaking Process In Its Entirety, On Set Grew Into A Threeyearsinthemaking Report On British Cinema As It Once Again Blossomed With Movies Like The Talented Mr. Ripley, Lock Stock And Two Smoking Barrels And Elizabeth. Gaining Unprecedented Access To Sets, Williams Was Able To Frame Stars, Directors And Crew In Their Element And Tell A Complete, Naturalistic Story. Starting With Terry Gilliam'S Hands At The Storyboarding Stage And Ending With Hugh Grant Lipsyncing In Postproduction, On Set'S Fascinating Insider'S Tale Captures The Leading Lights Of British And American Film As They'Ve Rarely Seen: Jude Law Practices His Dance Moves; Matt Damon Prepares For His Close Up; Renee Zellweger Relaxes Between Takes. Supported By Pertinent Observations From Directors And Actors, On Set Moves From Brad Pitt To Peter O'Toole, From Cate Blanchett To Julie Andrews, Evoking What Parker Describes As 'The Whole Deranged Process' With The Assiduity Of A Painter.
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- Q: What is the size of the book 'On Set'? A: The book 'On Set' measures ten inches in length, zero point seventy-five inches in width, and eleven point seventy-five inches in height. This size makes it suitable for easy handling and display.
- Q: How many pages does 'On Set' have? A: The book 'On Set' contains zero pages, indicating it is likely a photographic or visual report rather than a traditional text-heavy book.
- Q: What type of binding does 'On Set' use? A: The book 'On Set' is bound in paperback. This type of binding is lightweight and flexible, making it easy to carry.
- Q: How do I read 'On Set'? A: To read 'On Set', simply open the book and browse through its pages. It is designed for anyone interested in film-making and photography.
- Q: Is 'On Set' suitable for children? A: Yes, 'On Set' can be suitable for older children who have an interest in film and photography. However, parental discretion is advised due to the themes discussed.
- Q: How can I utilize the content of 'On Set'? A: You can utilize the content of 'On Set' for educational purposes, film studies, or general interest in the behind-the-scenes aspects of filmmaking.
- Q: How should I care for 'On Set'? A: To care for 'On Set', store it in a cool, dry place away from direct sunlight. Avoid bending or folding the pages to maintain its condition.
- Q: Is 'On Set' a collectible item? A: Yes, 'On Set' can be considered a collectible, especially for fans of photography and film history. Its unique insights and visuals enhance its value.
- Q: How should I clean the book 'On Set'? A: To clean 'On Set', wipe the cover gently with a dry cloth. Avoid using water or cleaning solutions, as they can damage the pages.
- Q: Can I return 'On Set' if I don't like it? A: Yes, you can return 'On Set' if it does not meet your expectations. Check the specific return policy of the retailer for details.
- Q: What if 'On Set' arrives damaged? A: If 'On Set' arrives damaged, contact the retailer immediately to report the issue and initiate a return or exchange process.
- Q: How does 'On Set' compare to other film photography books? A: Unlike many film photography books, 'On Set' offers a comprehensive view of the filmmaking process through unique access to sets and behind-the-scenes moments.
- Q: Is 'On Set' good for film students? A: Yes, 'On Set' is an excellent resource for film students, providing insight into the film-making process and the roles of various industry professionals.
- Q: Does 'On Set' include interviews with filmmakers? A: Yes, 'On Set' includes pertinent observations from directors and actors, enriching the narrative with their insights on the filmmaking process.
- Q: What themes are explored in 'On Set'? A: The themes explored in 'On Set' include the challenges of film-making, the artistry of photography, and the evolution of British cinema.