On The Wire (Spin Offs),Used

Product Description Many television critics, legions of fans, even the president of the United States, have cited The Wire as the best television series ever. In this sophisticated examination of the HBO serial drama that aired from 2002 until 2008, Linda Williams, a leading film scholar and authority on the interplay between film, melodrama, and issues of race, suggests what exactly it is that makes The Wire so good. She argues that while the series is a powerful exploration of urban dysfunction and institutional failure, its narrative power derives from its genre. The Wire is popular melodrama, not Greek tragedy, as critics and the series creator David Simon have claimed. Entertaining, addictive, funny, and despairing all at once, it is a serial melodrama grounded in observation of Baltimore's people and institutions: of cops and criminals, schools and bluecollar labor, local government and local journalism. The Wire transforms close observation into an unparalleled melodrama by juxtaposing the good and evil of individuals with the good and evil of institutions. Review 'On the Wire is a readable, rigorously argued account of HBOs seminal series. . . . Williams is noted for being a top scholar in film and media studies, but On the Wire demonstrates that above all else she is a passionate fan of the series. In order to explain why she loves it so much, and why it has impacted American culture with such force, shes written a mustread book for everyone who believes that The Wire is lifechanging fiction of the highest order.'Jon Lisi, PopMatters'Linda Williamss book revolutionizes the ways we approach the series. Hers is a provocative, productive analysis that makes an essential contribution to the sociology of television: not only how to think of television as social force but its own ability to constitute sociological investigation.'Dana Polan, Film QuarterlyBy tying The Wires forcefulness to its televisual and melodramatic nature, On The Wire reveals that however exceptional, this show can also be a model. As such, this book modestly saves the series from monumentality.Nathan Holmes, Critical Inquiry'Williams s study... provides a view of The Wire that is often illuminating and surprising'Stanley Corkin, Journal of American StudiesAs an avid fan of the series The Wire, Linda Williamss book was a thoroughly interesting read. In each section, the author skillfully weaves the storyline from episodes into her argument in a believable and defensible fashion. Williamss volume offers a unique perspective on a beloved series.Amy Muckleroy Carwile, Journalism & Mass Communication QuarterlyOn The Wire is an ambitious study that makes an original, compelling argument about a series on which much has already been written. The questions Williams sets out in the early part of her monograph both pay tribute to The Wire and make clear that she is willing to probe the assumptions often made about it. ...Pushing back against the critical consensus, On The Wire is not just an original study of its chosen series but also a model for how we should think about contemporary television more generally.George Potts, Critical QuarterlyWilliamss On The Wire is a fascinating text. Whether she is lauding the series for its capacity to ruffle certain cinematic conventions and assumptions about race and class or criticizing the show for its diminished gender politics (e.g., blaming the single black mother), her analysis is coherent, trenchant, and provocative. For those interested in the series and those interested more generally in film and media studies, American culture, and the intersection of race and class, On The Wire will be an enjoyable and provocative read.Joseph Winters, African American ReviewOn The Wire is not only an important work for any study of The Wire, but is also an important offering for television scholarship. Furthermore, On The Wire provides strong analysis of the role of melodrama in