
Title

Orientations. Space / Time / Image / Word,Used
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Based on papers presented at the Fifth Triennial Conference of the International Association of Word and Image Studies (IAWIS/AERTI) held in 2002 in Hamburg, the twentytwo essays in this volume cover a wide array of intermedial relations and a great variety of media, from medieval architecture to interactive digital art. They have been arranged in sections labeled History and Identity, Cultural Memory, Texts and Photographs: Cultural Anthropology and Cultural Memory, MixedMedia Texts: Cartography in Contemporary Art and Fiction, MixedMedia Texts: YellowCover Books, Artists' Books, and Comics, Intermedia Texts: Logotypes, and Space, Spatialization, Virtual Space. Displaying a range of methods and interests, these contributions by scholars from Europe, the United States, and South America working in different disciplines confirm the impression voiced by IAWIS president Charlotte SchoellGlass in her introduction that the influence of Visual and Cultural Studies has changed the outlook of many who study the interactions of texts and images. Table of contents Charlotte SCHOELLGLASS: Introduction History and Identity Pamela J. WARNER: To Paint the Color of Things: The Goncourt Brothers and the Pictoriality of History Lauren S. WEINGARDEN : The Mirror as a Metaphor of Baudelairean Modernity Valentin NUSSBAUM : lombre des portraits en fleurs: Symbolisme et troubles de lidentit de Whistler Hitchcock Andrea GRUNERT : LHistoire transforme en lgende: Andrzej Wajda et la Pologne idalise Cultural Memory Marijke JONKER : From Death and Despair to Hope: Gricault, Poussin, and Cultural Memory in France Stephanie A. GLASER : Deutsche Baukunst, Architecture Franaise: The Use of the Gothic Cathedral in the Creation of National Memory in NineteenthCentury Germany and France Nathalie ROELENS : La Reprsentation de la barbarie en littrature, en peinture et au cinma Texts and Photographs: Cultural Anthropology and Cultural Memory tienne SAMAIN : Les Risques du texte et de limage: Autour de Balinese Character (1942), Gregory Bateson et Margaret Mead Rebecca J. DEROO : Boltanskis Display at the Documenta 5: Personal or Cultural Memory? Ursala REIDELSCHREWE : The Burial Place of Heimat MixedMedia Texts: Cartography in Contemporary Art and Fiction Christina LJUNGBERG : Cartographic Strategies in Contemporary Fiction Susanne DCHTING : The Interaction of Art and Cartography in the Work of Simon Patterson and Susanne Weirich MixedMedia Texts: YellowCover Books, Artists Books, and Comic Strips Fumiko T. TOGASAKI : Defiance from Within: Cosmopolitan Innovators in Isolated Feudal Japan Regine RAPP : Tango with Cows: Russian Futurist Book Art Vronique PLESCH : From Image to Word: The Books of Lucie Lambert Claude DUE : L o le mot se fait image et o limage se fait mot: Nouvelle bande dessine et bande dessine davantgarde Intermedia Texts : Logotypes Hans LUND : Alma Maters New Face: From University Seals to University Logos Claus CLVER : MiniIcons: Letterforms, Logos, Logopoems Space, Spatialization, Virtual Space Massimo LEONE : On the QuincunX Carrie NOLAND : Graffiti and the Reinvention of Space Alan PROHM : Resources for a Poetics of Visual Poetry James TOBIAS : Gesture, Techniques, and Time: Disorientation at the Interface Notes about the contributors
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