Title
Paint Made Flesh (Frist Art Museum Title)-used
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In Paint Made Flesh, Expressive Figuration Is Considered As A Reflection Of Artists' Responses To Such Topics As Identity, Sexuality, And Mortality, And As A Symptom Of A Broader Spectrum Of Social And Political Attitudes Shaping Western Culture Since World War Ii. It Features Art From The United States, Great Britain, And Germany, Countries That Have Since The 1950S Produced Many Artists Who Use Paint As A Metaphor For Flesh In All Its Aspects. It Will Also Consider Contemporary Artists Whose Works Move From A National To A Global Stage In Terms Of Meaning And Style.The Book Has Been Developed To Accompany An Early 2009 Exhibition At The Frist Center For The Visual Arts, Which Will Include Paintings By Artists Like Francis Bacon, Willem De Kooning, Lucian Freud, Pablo Picasso, And Julian Schnabel From Private Collections And Museums Around The World. Paint Made Flesh Will Feature Approximately Forty Color Plates And Approximately Fifty Other Illustrations, And Four Essays By Major Art Historians.Susan Edwards'S Essay 'The Influence Of Anxiety' Considers Works By American Artists Active From The 1950 To The 1970S, Including Willem De Kooning, Leon Golub, Philip Guston, And Alice Neel, As Responses To Social Conditions And The Expressive Limitations Of Late Modernism. Emily Braun'S 'Skinning The Paint' Looks At The Work Of British Painters Francis Bacon, Lucian Freud, And Frank Auerbach, And Its Legacy In The Painting Of Jenny Saville And Cecily Brown. The Title Refers To The Way These Artists Use A Knife Both To Strip The Skin Or Surface Of The Figure And To Build Up New Layers Of Epidermis, Comprising A Metaphor For The Dialectic Between Psychological And Physical Aspects Of Being.Richard Shiff'S 'Drawn On The Body' Discusses German Artists Such As Georg Baselitz, Markus Lupertz, And Albert Oehlen, Whose Gestural Paint Application Is Seen As Both An Extension And Critique Of The Notion Of A National Heritage Distinctly Tied To Expressionism. The Final Essay, Mark Scala'S 'Fragmentation And Reconstitution: Painterly Figuration Since 1980,' Examines Ways That Artists Like Wangechi Mutu, Daniel Richter, And John Currin Posit A Transmutation Of Identitypersonal, Cultural, And Sexualthat Is Today Mirrored In Images Of The Body. Instead Of Asking The Question Of The Traditional Figure Painter: 'Who Are We?' These Artists Are More Concerned With The Question 'Who Will We Become?'
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- Q: What is the size of the book 'Paint Made Flesh'? A: The book measures nine and a half inches by eleven inches. It has a thickness of three-quarters of an inch.
- Q: How many pages does 'Paint Made Flesh' contain? A: The book contains one hundred sixty pages. It features a variety of illustrations and essays by notable art historians.
- Q: What is the binding type of 'Paint Made Flesh'? A: The book is published in paperback binding. This makes it lightweight and easy to handle.
- Q: Who is the author of 'Paint Made Flesh'? A: The author is Mark W. Scala. He provides insights into the works and themes discussed in the book.
- Q: What themes does 'Paint Made Flesh' explore? A: The book explores themes of identity, sexuality, and mortality. It reflects broader social and political attitudes since World War II.
- Q: How is 'Paint Made Flesh' organized? A: The book includes essays along with approximately forty color plates and fifty illustrations. Each essay focuses on different artists and their responses to social conditions.
- Q: Is 'Paint Made Flesh' suitable for art students? A: Yes, it is suitable for art students and enthusiasts. The book offers critical insights into modern and contemporary art.
- Q: How does 'Paint Made Flesh' discuss contemporary artists? A: The book examines contemporary artists who have moved from national to global stages in terms of meaning and style. It highlights their unique contributions to the art world.
- Q: What kind of illustrations are in 'Paint Made Flesh'? A: The book features both color plates and other illustrations. These artworks illustrate the themes and concepts discussed in the essays.
- Q: Are there any notable artists featured in the book? A: Yes, it includes works by Francis Bacon, Willem de Kooning, and Pablo Picasso. These artists are discussed in the context of their impact on the art world.
- Q: Is 'Paint Made Flesh' considered a used book? A: Yes, it is classified as a used book in good condition. This indicates that it may show some signs of wear but remains intact and readable.
- Q: What essays are included in 'Paint Made Flesh'? A: The book contains four essays by major art historians. Each essay addresses different aspects of figuration and its evolution in art.
- Q: Can 'Paint Made Flesh' be used for academic research? A: Yes, it can be a valuable resource for academic research. The essays provide scholarly perspectives on significant artists and movements.
- Q: What is the intended audience for 'Paint Made Flesh'? A: The intended audience includes art enthusiasts, students, and professionals. It aims to engage anyone interested in modern art and its history.
- Q: Does 'Paint Made Flesh' focus on specific art movements? A: Yes, it discusses movements such as Expressionism and post-World War II figuration. The book contextualizes these movements within broader cultural discussions.