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Parkett No. 84 Zoe Leonard, Tomma Abts, MaiThu Perret,New
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In this issue of Parkett, Jan Verwoert describes Tomma Abt's abstractions as 'defined by a kind of retroactive temporal logic: the movement that leads to the finished picture is a movement that keeps flowing back on itself in the process of overpainting.' Julien Fronsacq calls MaiThu Perret's work 'a product of a different persona' and suggests that it revolves 'around the structure of the novel.' According to Johanna Burton, Zoe Leonard uses the predominantly male photographic lineage to 'speak in tongues,' and to play with expectationseven as she expresses the metaphysical loneliness inherent to the medium: 'There is no such thing as a truly entwined gaze,' writes Burton, 'only ever the promise of one and the deep breach that results from its impossibility.' Also: Philipp Kaiser on Richard Hawkins, Josef Strau on Ei Arakawa, Charles Bernstein on art criticism, texts by Philip Ursprung and Jens Hoffmann, insert by John Stezaker and spine by Paulina Olowska.
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- Q: What is the page count of the book? A: This book has three hundred pages. It offers a comprehensive exploration of contemporary art and criticism.
- Q: What are the dimensions of the book? A: The book measures eight point three one inches in length, zero point eight inches in width, and nine point nine inches in height.
- Q: What type of binding does this book have? A: This book is a paperback edition. Paperback bindings are flexible and lightweight, making it easy to handle.
- Q: How should I read this book? A: You can read this book at your own pace. It's suitable for anyone interested in contemporary art criticism and theory.
- Q: Is this book suitable for beginners in art criticism? A: Yes, it's suitable for beginners. The book provides insightful analyses that can help newcomers understand complex themes.
- Q: Can I use this book as a reference for my art studies? A: Yes, this book serves as an excellent reference for art studies. It features contributions from notable critics and artists.
- Q: How should I store this book? A: Store this book in a cool, dry place. Keeping it upright on a shelf can help maintain its shape and protect the pages.
- Q: Is there any special care needed for this book? A: No special care is needed for this book. Just avoid exposure to moisture and direct sunlight to preserve its condition.
- Q: Can I clean the book if it gets dirty? A: Yes, you can gently clean the book. Use a soft, dry cloth to wipe away any dust or smudges on the cover.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact customer service. They will guide you through the return or exchange process.
- Q: Is there a return policy for this book? A: Yes, there is a return policy. Typically, you can return the book within a specified period if you are not satisfied.
- Q: How do I contact support if I have an issue? A: Contact customer support via the website or phone. They are available to assist you with any questions or concerns.
- Q: Is this book suitable for academic use? A: Yes, this book is suitable for academic use. It contains critical essays that can enhance your understanding of contemporary art.
- Q: What kind of themes does this book cover? A: This book covers themes related to contemporary art criticism and theory. It discusses various artists and their contributions.
- Q: Who is the author of this book? A: The author of this book is Bice Curiger. She is known for her expertise in contemporary art and criticism.