
Title

Performing Glam Rock: Gender and Theatricality in Popular Music,Used
Delivery time: 8-12 business days (International)
When it first appeared in the early 1970s, glam rock not only caused a stir among audiences and performers, it also stood counterculture and psychedelic rock on their heads. Glam rock was outrageous and overtly theatrical, and its unforgettable charactersadorned with flamboyant costumes and heavy makeup and accompanied by elaborately constructed setswere personified by performers such as Marc Bolan, David Bowie, Bryan Ferry, and Suzi Quatro. A sea change in rock performance had occurred.Yet glam was as much about substance as style, and Performing Glam Rock delves into the many ways glam paved the way for new explorations of identity in terms of gender, sexuality, and performance. Philip Auslander positions glam historically and examines it as a set of performance strategies, exploring the ways in which glam rockwhile celebrating the showmanship of 1950s rock and rollbegan to undermine rock's adherence to the ideology of authenticity in the late 1960s.In this important study of a toooftenoverlooked phenomenon, Auslander takes a fresh look at the genius of the glam movement and introduces glam to a new generation of performance enthusiasts and scholars alike.Philip Auslander is Professor in the School of Literature, Communication, and Culture at the Georgia Institute of Technology and author of numerous books, including Liveness: Performance in a Mediatized Culture and Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. He is editor of the major reference work Performance: Critical Concepts and coeditor, with Carrie Sandahl, of Bodies in Commotion: Disability and Performance.
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To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of 'Performing Glam Rock'? A: The book focuses on how glam rock, emerging in the early 1970s, transformed identity exploration in terms of gender, sexuality, and performance, analyzing its cultural significance and theatricality.
- Q: Who is the author of 'Performing Glam Rock'? A: The author is Philip Auslander, a professor at the Georgia Institute of Technology and an expert in performance studies.
- Q: What are the key themes discussed in the book? A: Key themes include the intersection of gender and performance, the impact of glam rock on rock authenticity, and the historical context of glam as a performance strategy.
- Q: How many pages does the book have? A: The book has 272 pages.
- Q: When was 'Performing Glam Rock' published? A: The book was published on February 1, 2006.
- Q: What is the binding type of this book? A: The book is available in paperback binding.
- Q: Is 'Performing Glam Rock' suitable for academic study? A: Yes, it is suitable for academic study as it provides in-depth analysis and insight into glam rock's cultural impact, making it valuable for scholars and students in performance and music studies.
- Q: Does the book include any illustrations or images? A: The product details do not specify illustrations or images, focusing instead on the text and analysis.
- Q: What is the edition of this book? A: This is the First Edition of 'Performing Glam Rock'.
- Q: Can this book help me understand the evolution of popular music? A: Yes, it offers insights into how glam rock influenced the evolution of popular music, particularly in its approach to performance and identity.