Performing The Body/Performing The Text,New

Performing The Body/Performing The Text,New

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SKU: DADAX0415190606
UPC: 9780415190602
Brand: Routledge
Condition: New
Regular price$68.34
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This Book Explores The New Performativity In Art Theory And Practice, Examining Ways Of Rethinking Interpretive Processes In Visual Culture. Since The 1960S, Visual Art Practices From Body Art To Minimalism Have Taken Contemporary Art Outside The Museum And Gallery; By Embracing Theatricality And Performance And Exploding The Boundaries Set By Traditional Art Criticism. The Contributors Argue That Interpretation Needs To Be Recognised As Much More Dynamic And Contingent. Offering Its Own Performance Script, And Embracing Both Canonical Fine Artists Such As Manet, De Kooning And Jasper Johns, And Performance Artists Such As Vito Acconci And Gunter Brus, This Book Offers Radical Rereadings Of Art Works And Points Confidently Towards New Models For Understanding Art.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: What is the page count of 'Performing the Body/Performing the Text'? A: This book has three hundred twenty pages. It provides an in-depth exploration of performativity in art theory and practice.
  • Q: What are the dimensions of 'Performing the Body/Performing the Text'? A: The book measures six point eight five inches in length, zero point seven five inches in width, and nine point six nine inches in height.
  • Q: What type of binding does this book have? A: This book is paperback bound. This makes it lightweight and portable, ideal for readers on the go.
  • Q: How do I read 'Performing the Body/Performing the Text'? A: You can read this book like any other paperback. It is suitable for anyone interested in contemporary art and performance.
  • Q: Is 'Performing the Body/Performing the Text' suitable for beginners? A: Yes, this book is suitable for beginners. It introduces complex ideas in a clear and accessible way.
  • Q: Can I use this book for academic study? A: Yes, this book is ideal for academic study. It includes contributions from various authors, providing diverse perspectives on art theory.
  • Q: How should I store 'Performing the Body/Performing the Text'? A: Store this book in a cool, dry place. Keeping it upright in a bookshelf will help maintain its condition.
  • Q: What care is needed for this book? A: This book requires minimal care. Avoid exposing it to moisture or direct sunlight to preserve its quality.
  • Q: Is 'Performing the Body/Performing the Text' safe for young readers? A: Yes, this book does not contain explicit content. However, it’s best suited for older teens and adults interested in art.
  • Q: What themes are explored in 'Performing the Body/Performing the Text'? A: This book explores themes of performativity, visual culture, and art interpretation. It examines how these elements interact in contemporary settings.
  • Q: Who is the author of 'Performing the Body/Performing the Text'? A: The author is Amelia Jones. She is well-known for her work in art history and theory.
  • Q: What kind of audience is this book intended for? A: This book is intended for art students, scholars, and enthusiasts. Its content is designed to engage those interested in modern art practices.
  • Q: What does 'Performing the Body/Performing the Text' contribute to art theory? A: This book offers radical re-readings of art works. It suggests new models for understanding the evolving nature of art.
  • Q: Are there illustrations or images in the book? A: Yes, 'Performing the Body/Performing the Text' includes various illustrations. These visuals support the text and enhance the reader's understanding.
  • Q: Is 'Performing the Body/Performing the Text' a good gift for art enthusiasts? A: Yes, it makes a thoughtful gift for art enthusiasts. Its insights into performance art and theory are valuable for anyone passionate about the subject.

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