Title
Phonographies: Grooves in Sonic AfroModernity,New
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Phonographies explores the numerous links and relays between twentiethcentury black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye contends that the interplay between sound technologies and black music and speech enabled the emergence of modern black culture, of what he terms sonic Afromodernity. He shows that by separating music and speech from their human sources, soundrecording technologies beginning with the phonograph generated new modes of thinking, being, and becoming. Black artists used these new possibilities to revamp key notions of modernityamong these, ideas of subjectivity, temporality, and community. Phonographies is a powerful argument that sound technologies are integral to black culture, which is, in turn, fundamental to Western modernity.Weheliye surveys literature, film, and music to focus on engagements with recorded sound. He offers substantial new readings of canonical texts by W. E. B. Du Bois and Ralph Ellison, establishing dialogues between these writers and popular music and film ranging from Louis Armstrongs voice to DJ mixing techniques to Darnell Martins 1994 movie I Like It Like That. Looking at how questions of diasporic belonging are articulated in contemporary black musical practices, Weheliye analyzes three contemporary Afrodiasporic musical acts: the Haitian and African American rap group the Fugees, the Afro and ItalianGerman rap collective Advanced Chemistry, and black British artist Tricky and his partner Martina. Phonographies imagines the African diaspora as a virtual sounding space, one that is marked, in the twentieth century and twentyfirst, by the circulation of culture via technological reproductionsrecords and tapes, dubbing and mixing, and more.
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- Q: What is the page count of 'Phonographies: Grooves in Sonic Afro-Modernity'? A: This book has three hundred four pages. It provides an in-depth exploration of sound technologies and black cultural production.
- Q: What are the dimensions of this book? A: The book measures five point eight eight inches in length, zero point seven five inches in width, and nine point two five inches in height. These dimensions make it a convenient size for reading.
- Q: What type of binding does this book have? A: This book is available in paperback binding. Paperback books are typically lightweight and flexible, making them easy to handle.
- Q: Who is the author of 'Phonographies'? A: The author is Alexander Ghedi Weheliye. He is known for his scholarly work on sound technologies and black culture.
- Q: What is the genre of 'Phonographies: Grooves in Sonic Afro-Modernity'? A: This book falls under the Black & African American genre. It discusses important cultural themes related to black identity and sound.
- Q: How does this book relate to modern black culture? A: The book argues that sound technologies are integral to the emergence of modern black culture. It discusses how these technologies have shaped identity and community.
- Q: Is 'Phonographies' suitable for academic study? A: Yes, this book is suitable for academic study. It offers substantial readings of canonical texts and engages with key themes in black cultural studies.
- Q: What themes are explored in this book? A: The book explores themes such as subjectivity, temporality, and community in relation to sound technologies. It connects these themes to black cultural practices.
- Q: Can this book be used for teaching purposes? A: Yes, it can be used for teaching. Its analysis of literature, film, and music makes it a valuable resource for educators.
- Q: What is the condition of the book? A: The book is described as being in good condition. This indicates that it has been used but is still functional.
- Q: Is there any specific audience for this book? A: Yes, it is targeted at readers interested in black studies, cultural theory, and sound studies. This makes it ideal for students and scholars.
- Q: How should I care for this book? A: To keep the book in good condition, store it in a dry place away from direct sunlight. This will help preserve its pages and cover.
- Q: Is this book suitable for casual readers? A: Yes, casual readers can enjoy this book. Its engaging discussion of sound and culture makes it accessible to a broader audience.
- Q: What should I do if this book arrives damaged? A: If the book arrives damaged, you should contact the seller for a return or exchange. Most sellers have policies to address such issues.
- Q: What kind of content can I expect from 'Phonographies'? A: You can expect a mix of cultural analysis, historical context, and detailed readings of texts. It provides insight into the interplay between sound and identity.
- Q: Does this book include illustrations or images? A: No, this book primarily consists of text and analysis. It focuses on theoretical discussions rather than visual content.