Photography: A Critical Introduction-used

Photography: A Critical Introduction-used

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Photography: A Critical Introduction Was The First Introductory Textbook To Examine Key Debates In Photographic Theory And Place Them In Their Social And Political Contexts, And Is Now Established As One Of The Leading Textbooks In Its Field. Written Especially For Students In Higher Education And For Introductory College Courses, This Fully Revised Edition Provides A Coherent Introduction To The Nature Of Photographic Seeing.Individual Chapters Cover: Key Debates In Photographic Theory And History Documentary Photography And Photojournalism Personal And Popular Photography Photography And The Human Body Photography And Commodity Culture Photography As Artthis Revised And Updated Fifth Edition Includes: New Case Studies On Topics Such As: Materialism And Embodiment, The Commodification Of Human Experience, And An Extended Discussion Of Landscape As Genre. 98 Photographs And Images, Featuring Work From: Bill Brandt, Susan Derges, Rineke Dijkstra, Fran Herbello, Hannah Hch, Karen Knorr, Dorothea Lange, Chrystel Lebas, Susan Meiselas, Lee Miller, Martin Parr, Ingrid Pollard, Jacob Riis, Alexander Rodchenko, Andres Serrano, Cindy Sherman And Jeff Wall. Fully Updated Resource Information, Including Guides To Public Archives And Useful Websites. A Full Glossary Of Terms And A Comprehensive Bibliography.Contributors: Michelle Henning, Patricia Holland, Derrick Price, Anandi Ramamurthy And Liz Wells.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: What are the dimensions of the book? A: The book measures seven point five two inches in length, one inch in width, and nine point seven six inches in height. These dimensions make it a convenient size for both reading and storage.
  • Q: How many pages are in this book? A: This book contains four hundred twenty pages. It's a comprehensive resource for anyone interested in photographic theory and its social context.
  • Q: What type of binding does this book have? A: The book features a paperback binding. This makes it flexible and lightweight, ideal for students and readers.
  • Q: Who is the author of this book? A: The author of this book is Liz Wells. She is recognized for her contributions to photographic studies and theory.
  • Q: What topics are covered in this book? A: The book covers key debates in photographic theory, including documentary photography, photojournalism, and photography as art. It provides a well-rounded introduction to the subject.
  • Q: Is this book suitable for beginners? A: Yes, this book is suitable for beginners. It is specifically written for students in higher education and those taking introductory college courses.
  • Q: What kind of photography does this book discuss? A: The book discusses various types of photography, including documentary photography, photojournalism, and personal and popular photography. It explores their impact on society and culture.
  • Q: Does this book include case studies? A: Yes, this book includes new case studies on topics such as materialism and embodiment. These case studies enhance the reader's understanding of contemporary photographic issues.
  • Q: Are there any illustrations in the book? A: Yes, there are ninety-eight photographs and images included. These feature works from renowned photographers like Dorothea Lange and Cindy Sherman.
  • Q: How should I care for this book? A: To care for this book, keep it in a cool, dry place and handle it gently to avoid creasing pages. Regularly check for any signs of wear.
  • Q: Can I find resources for further study in this book? A: Yes, the book includes fully updated resource information, including guides to public archives and useful websites for further exploration.
  • Q: Is this book appropriate for children? A: No, this book is not specifically designed for children. It is intended for higher education students and readers interested in photographic theory.
  • Q: What glossary resources does this book provide? A: The book includes a full glossary of terms related to photographic theory. This is useful for readers looking to understand specific terminology.
  • Q: Does this book discuss photography and culture? A: Yes, it discusses photography in the context of commodity culture and its relationship to social issues. This adds depth to the theoretical discussions.
  • Q: What is the intended audience for this book? A: The intended audience for this book is students in higher education, particularly those studying photography and visual culture.
  • Q: What are key authors contributing to this book? A: Key contributors to this book include Michelle Henning, Patricia Holland, Derrick Price, Anandi Ramamurthy, and Liz Wells herself. Their expertise enriches the content.

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