PICASSO AND PORTRAITURE: REPRESENTATION AND TRANSFORMATION,Used
PICASSO AND PORTRAITURE: REPRESENTATION AND TRANSFORMATION,Used
PICASSO AND PORTRAITURE: REPRESENTATION AND TRANSFORMATION,Used
PICASSO AND PORTRAITURE: REPRESENTATION AND TRANSFORMATION,Used
PICASSO AND PORTRAITURE: REPRESENTATION AND TRANSFORMATION,Used

PICASSO AND PORTRAITURE: REPRESENTATION AND TRANSFORMATION,Used

SKU: SONG0870701436 In Stock
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Picasso's portraits display an astonishing range of moods, styles, personalities and approaches, whether abstract, surreal, cubist, classical or expressionist, as revealed by this resplendently illustrated catalogue of an exhibition at Manhattan's Museum of Modern Art. In the opening essay, Rubin, director emeritus of MOMA's painting and sculpture department, explores how Picasso's portraits served as a screen for his psychological projections and symbolic references to members of his everchanging entourage. Eight essays by noted critics, including Pierre Daix, Robert Rosenblum, Brigitte Leal and Kirk Varnedoe, emphasize the central role of Picasso's women in his protean portraiture. Blonde muse MarieTherese Walter, with whom he had a clandestine affair from the mid1920s to 1933, underwent constant transformations, from instantly recognizable face to mythical goddess. Dora Maar inspired tragic grotesques, while mistress Fernande Olivier appears in many guises, and Francoise Gilot, the young painter whom he met in 1943, triggered images of dread and anxiety in his postwar canvases. Extraordinary selfportraits run the gamut from cocksure bravado to comedic apelike selfcaricature. This album is a revelation.Copyright 1996 Reed Business Information, Inc.

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To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.

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Warranty

We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the main focus of 'PICASSO AND PORTRAITURE: REPRESENTATION AND TRANSFORMATION'? A: This book primarily explores how Picasso and other modern painters innovatively addressed the challenges of portraiture during the first century of modern art, highlighting the evolution of techniques used to portray the human face.
  • Q: Who is the author of this book? A: The book is authored by William Rubin, a noted art historian and curator.
  • Q: What types of media does the book showcase? A: The book includes reproductions of works in various media, such as oil, gouache, pastel, and charcoal, illustrating Picasso's diverse techniques in portraiture.
  • Q: When was this book published? A: The book was published on January 1, 1996.
  • Q: Is this book a new or used edition? A: This listing specifies that it is a used book in good condition.
  • Q: How many pages does this book have? A: The book contains a total of 496 pages.
  • Q: What type of binding does this book have? A: The book is bound in hardcover.
  • Q: What kind of essays are included in the book? A: The book features eight essays that examine different periods and aspects of Picasso's career, providing insights into his personal relationships with his subjects.
  • Q: Is this book suitable for art students or professionals? A: Yes, the book is suitable for art students, professionals, and anyone interested in modern art and Picasso's contributions to portraiture.
  • Q: Is there an exhibition associated with this book? A: Yes, the book was published to accompany an exhibition at The Museum of Modern Art in New York in 1996.