Picturing Silence: Emblem, Language, CounterReformation Materiality (Body, in Theory : Histories of Cultural Materialism),Used

Picturing Silence: Emblem, Language, CounterReformation Materiality (Body, in Theory : Histories of Cultural Materialism),Used

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Picturing Silence: Emblem, Language, CounterReformation Materiality offers a materialist account of the making and dissemination of Renaissance emblems symbolic forms combining words and pictures. During the early sixteenth century, humanists began to publish collections of emblems, primarily for an erudite audience. Karen Pinkus examines the social context for such collections and provides a reading of key examples of the genre, illuminating our understanding of gender relations, economics, homosociality, "the gaze," homicide and blood guilt, and the body within humanist ideology. Pinkus grounds her discussion in a historical understanding of the CounterReformation period; at the same time she considers the emblematic form in a more general and philosophical sense, linking the humanist emblem to baseball cards and to the modern advertisement, as a call to consume.Part of a growing body of theoretically informed writings in Italian Renaissance Studies, Picturing Silence is unique in its attempt to weave together Renaissance and postmodern considerations of representation. It should appeal to specialists in a variety of disciplines, including art history, cultural studies, feminist studies, and media studies.

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To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.

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We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the main theme of 'Picturing Silence'? A: 'Picturing Silence' explores the materialist account of Renaissance emblems, focusing on their production and dissemination during the Counter-Reformation period.
  • Q: Who is the author of 'Picturing Silence'? A: The author of 'Picturing Silence' is Karen Pinkus, who provides insights into gender relations and cultural materialism.
  • Q: What disciplines does 'Picturing Silence' appeal to? A: 'Picturing Silence' appeals to specialists in art history, cultural studies, feminist studies, and media studies among others.
  • Q: How many pages are in 'Picturing Silence'? A: 'Picturing Silence' contains 185 pages, providing a comprehensive examination of the subject.
  • Q: What is the binding type of 'Picturing Silence'? A: 'Picturing Silence' is available in hardcover binding, ensuring durability and a quality reading experience.
  • Q: When was 'Picturing Silence' published? A: 'Picturing Silence' was published on January 1, 1996.
  • Q: What are the key topics discussed in 'Picturing Silence'? A: Key topics include the social context of Renaissance emblems, gender relations, economics, and the historical understanding of the Counter-Reformation.
  • Q: Is 'Picturing Silence' suitable for casual readers? A: 'Picturing Silence' is primarily aimed at an erudite audience and may be more suitable for readers with an academic interest in Renaissance studies.
  • Q: Does 'Picturing Silence' include illustrations or examples of emblems? A: While the product details do not specify, books in this category typically include illustrations or examples of emblems to support the text.
  • Q: What makes 'Picturing Silence' unique compared to other studies? A: 'Picturing Silence' is unique for its attempt to connect Renaissance and postmodern considerations of representation in cultural materialism.