Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics (Film and Culture Series),Used

Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics (Film and Culture Series),Used

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Julie A. Turnock tracks the use and evolution of special effects in 1970s filmmaking, a development as revolutionary to film as the form's transition to sound in the 1920s. Beginning with the classical studio era's early approaches to special effects, she follows the industry's slow build toward the significant advances of the late 1960s and early 1970s, which set the stage for the groundbreaking achievements of 1977.Turnock analyzes the farreaching impact of the convincing, absorbing, and seemingly unlimited fantasy environments of that year's iconic films, dedicating a major section of her book to the unparalleled innovations of Star Wars and Close Encounters of the Third Kind. She then traces these films' technological, cultural, and aesthetic influence into the 1980s in the deployment of optical special effects as well as the 'nottoorealistic' and hyperrealistic techniques of traditional stop motion and Showscan. She concludes with a critique of special effects practices in the 2000s and their implications for the future of filmmaking and the production and experience of other visual media.

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Frequently Asked Questions

  • Q: What is the main focus of 'Plastic Reality' by Julie A. Turnock? A: 'Plastic Reality' primarily examines the evolution and impact of special effects in 1970s filmmaking, comparing it to the significant transitions in film history, like the move to sound in the 1920s.
  • Q: How does the book address the innovations in special effects? A: The book analyzes the groundbreaking advancements in special effects during the late 1960s and early 1970s, emphasizing the technological and aesthetic shifts exemplified by films like 'Star Wars' and 'Close Encounters of the Third Kind'.
  • Q: What is the significance of the year 1977 in the context of special effects? A: The year 1977 is highlighted as a pivotal moment in film history, showcasing significant innovations in special effects that transformed the filmmaking landscape and set new standards for future productions.
  • Q: What are some key themes discussed in the book? A: Key themes include the technological advancements in optical special effects, the cultural influence of fantasy environments, and a critique of special effects practices in contemporary filmmaking.
  • Q: Is 'Plastic Reality' suitable for readers unfamiliar with film studies? A: Yes, the book is designed to be accessible to a broad audience, including those with limited prior knowledge of film studies, while providing in-depth analysis for more knowledgeable readers.
  • Q: What type of research did Julie A. Turnock conduct for this book? A: Julie A. Turnock conducted extensive research, including analysis of film history, industry practices, and interviews with filmmakers, to document the evolution of special effects in the 1970s.
  • Q: How does the book relate the past of special effects to current trends? A: 'Plastic Reality' traces the historical developments in special effects and critiques contemporary practices, exploring how past innovations shape the current state of visual media.
  • Q: What is the length and format of the book? A: 'Plastic Reality' is a paperback edition consisting of 384 pages.
  • Q: When was 'Plastic Reality' published? A: 'Plastic Reality' was published on February 3, 2015.
  • Q: Who is the author of 'Plastic Reality'? A: The author of 'Plastic Reality' is Julie A. Turnock.