Title
Poetic Rhythm: Structure and Performance An Empirical Study in Cognitive Poetics,Used
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This research is an instrumental investigation of a theory of rhythmical performance of poetry, originally propounded speculatively in the author's PerceptionOriented Theory of Metre (1977). Iambic pentametermeans that there is a verse unit consisting of an unstressed and a stressed syllable (in this order), and that the verse line consists of five such units. In the first 165 verse lines of Paradise Lost there are two such lines. The theory takes up one of the central issues in metrical studies: all criteria for metricality hitherto proposed have been violated by the greatest masters of musicality in English poetry. The question arises, how do we recognise two verse lines that are very different in their structures as instances of the same abstract pattern of, eg: iambic pentameter; and how do we distinguish a metrical from an unmetrical line. One great difference between this theory of metre and others concerns the status of deviation. Most theoreticians deploy a battery of tools to make deviant
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