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Poetry into Song: Performance and Analysis of Lieder,Used
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Focusing on the music of the great song composersSchubert, Schumann, Brahms, Wolf, and StraussPoetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, 'The Language of Poetry,' provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, 'The Language of the Performer,' deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song.
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- Q: What is 'Poetry into Song: Performance and Analysis of Lieder' about? A: 'Poetry into Song' focuses on the performance and analysis of Lieder, exploring the works of notable composers like Schubert and Brahms. It systematically introduces both the language of poetry and the performer, offering analytical procedures for understanding harmony, melody, rhythm, and form.
- Q: Who is the author of this book? A: The book is authored by Deborah Stein.
- Q: What are the main sections of the book? A: The book is divided into three main parts: 'The Language of Poetry', 'The Language of the Performer', and a final section that includes analytical procedures and comparative analyses of different settings of the same text.
- Q: Is this book suitable for beginners in music and poetry analysis? A: Yes, 'Poetry into Song' is directed toward students in both voice and theory, making it accessible for beginners while also providing depth for more experienced readers.
- Q: How many pages does the book have? A: 'Poetry into Song' contains 432 pages.
- Q: What type of binding does this book have? A: The book is available in hardcover binding.
- Q: When was 'Poetry into Song' published? A: The book was published on January 4, 1996.
- Q: Does the book include any additional resources? A: Yes, it includes several appendices with text translations, song scores, a glossary of technical terms, and a substantial bibliography.
- Q: What themes are explored in this book? A: The book explores themes of German Romanticism and the interaction between poetry and music, focusing on texture, temporality, articulation, and performance interpretation.
- Q: Are there exercises or questions in the book for practice? A: Yes, the book features end-of-chapter questions that reinforce concepts and provide opportunities for directed analysis.