Presence In Play: A Critique Of Theories Of Presence In The Theatre (Consciousness Literature And The Arts, 12)

Presence In Play: A Critique Of Theories Of Presence In The Theatre (Consciousness Literature And The Arts, 12)

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Presence In Play: A Critique Of Theories Of Presence In The Theatre Is The First Comprehensive Survey And Analysis Of Theatrical Presence To Be Published. Theatre As An Art Form Has Often Been Associated With Notions Of Presence. The Live Immediacy Of The Actor, The Unmediated Unfolding Of Dramatic Action And The Energy Generated Through An Actoraudience Relationship Are Among The Ideas Frequently Used To Explain Theatrical Experience And All Are Underpinned By Some Understanding Of Presence. Precisely What Is Meant By Presence In The Theatre Is Part Of What Presence In Play Sets Out To Explain. While This Work Is Rooted In Twentieth Century Theatre And Performance Since Modernism, The Author Draws On A Range Of Historical And Theoretical Material. Encompassing Ideas From Semiotics And Phenomenology, Presence In Play Puts Forward A Framework For Thinking About Presence In Theatre, Enriched By Poststructuralist Theory, Forcefully Arguing In Favour Of Presence As A Key Concept For Theatre Studies Today.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages does the book have? A: This book has two hundred twenty-eight pages. It provides a comprehensive analysis of theatrical presence.
  • Q: What is the binding type of this book? A: The binding type is paperback. This makes it flexible and easy to handle for reading.
  • Q: What are the dimensions of the book? A: The book measures five point nine eight inches in length, zero point seven five inches in width, and eight point seven four inches in height. These dimensions make it portable and easy to store.
  • Q: Who is the author of this book? A: The author is Cormac Power. He offers insights into the theories of presence in the theatre.
  • Q: What genre does this book fall under? A: This book falls under the Performing Arts genre. It focuses on theatre studies and critical analysis.
  • Q: Is this book suitable for beginners in theatre studies? A: Yes, it is suitable for beginners. The book provides foundational concepts and critiques relevant to understanding theatrical presence.
  • Q: How can I apply the concepts from this book in my studies? A: You can apply the concepts by analyzing performances through the lens of presence as discussed in the book. It offers a framework for critical thinking about theatre.
  • Q: Is there a recommended reading level for this book? A: The book is suitable for college-level readers and above. It contains advanced theoretical discussions that may require prior knowledge.
  • Q: How should I care for this paperback book? A: To care for the book, keep it in a dry place away from direct sunlight. Avoid bending the cover to maintain its shape.
  • Q: Are there any safety concerns with this book? A: No, there are no safety concerns with this book. It is a standard paperback publication and suitable for general reading.
  • Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact customer support for a replacement. They typically have a return policy for such issues.
  • Q: What should I do if I can't find this book in stores? A: If you can't find the book in stores, consider checking online retailers or academic libraries. They often stock titles from Brill Academic Pub.
  • Q: Is this book part of a series? A: Yes, this book is part of the Consciousness Literature and the Arts series. It explores various themes related to consciousness in art.
  • Q: Can this book be used as a textbook? A: Yes, this book can be used as a textbook. It provides valuable insights and analyses suitable for academic courses in theatre studies.
  • Q: Does this book discuss modern theatre practices? A: Yes, the book discusses modern theatre practices alongside historical theories. It integrates contemporary discussions on presence in performance.
  • Q: Is there a glossary of terms in this book? A: No, there is no dedicated glossary of terms. However, the book explains key concepts throughout the text for clarity.

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