Primitivism In 20Th Century Art: Affinity Of The Tribal And The Modern, In Two Volumes

Primitivism In 20Th Century Art: Affinity Of The Tribal And The Modern, In Two Volumes

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In 1906 Tribal Sculpture Was Discovered By 20Th Century Artists; These Objects Had Suddenly Become Relevant Because Of Changes In The Nature Of Modern Art Itself. These Two Volumes Comprise The First Comprehensive Scholarly Treatment In Half A Century Of The Crucial Influence Of The Tribal Artsparticularly Those Of Africa And Oceaniaon Modern Painters And Sculptors. In This Visually Stunning And Intellectually Provocative Work, 19 Essays Confront Complex Aesthetic, Arthistorical, And Sociological Problems Posed By This Dramatic Chapter In The History Of Modern Art. The Main Body Of The Book Contains A Series Of Essays On Primitivism In The Works Of Gauguin, The Fauves, Picasso, Brancusi, The German Expressionists, Lipchitz, Modigliani, Klee, Giacometti, Moore, The Surrealists, And The Abstract Expressionists. It Concludes With A Discussion Of Primitivist Contemporary Artists, Including Those Involved In Earthworks, Shamanism, And Ritualinspired Performances.

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Frequently Asked Questions

  • Q: What is the main subject of 'Primitivism' in 20th Century Art? A: The book explores the significant influence of tribal arts, particularly from Africa and Oceania, on modern artists and movements in the 20th century.
  • Q: Who is the author of this book? A: The author of 'Primitivism' in 20th Century Art is William Rubin.
  • Q: How many pages does this book contain? A: This book comprises 706 pages.
  • Q: In what format is the book available? A: The book is available in paperback format.
  • Q: When was 'Primitivism' in 20th Century Art published? A: The book was published on January 1, 1984.
  • Q: What type of essays are included in this book? A: The book contains 19 essays that address aesthetic, art-historical, and sociological issues related to primitivism in modern art.
  • Q: Does the book discuss contemporary artists? A: Yes, it includes discussions on contemporary artists engaged in earthworks, shamanism, and ritual-inspired performances.
  • Q: Is this book suitable for academic research? A: Yes, it provides a comprehensive scholarly treatment of the influence of tribal arts on modern art, making it suitable for academic research.
  • Q: What art movements are covered in the book? A: The book covers various movements, including Fauvism, Cubism, Expressionism, and Surrealism, as well as individual artists like Gauguin, Picasso, and Moore.
  • Q: What can readers expect to learn from this book? A: Readers can expect to gain insights into the complex relationships between tribal arts and modern artistic practices, along with a deeper understanding of the cultural implications of primitivism.