Punk Ethnography: Artists & Scholars Listen To Sublime Frequencies (Music / Culture)

Punk Ethnography: Artists & Scholars Listen To Sublime Frequencies (Music / Culture)

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SKU: DADAX0819576530
UPC: 9780819576538
Brand: Wesleyan University Press
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A Critical Companion To The Radical Diy Record Label That Challenges The Conventions Of Ethnography, Representation, And The Category Of World MusicThis Groundbreaking Case Study Examines Record Production As Ethnographic Work. Since Its Founding In 2003, Seattlebased Record Label Sublime Frequencies Has Produced World Music Recordings That Have Been Received As Radical, Sometimes Problematic Critiques Of The Practices Of Sound Ethnography. Founded By Punk Rocker Brothers Alan And Richard Bishop, Along With Filmmaker Hisham Mayet, The Label'S Releases Encompass Collagist Sound Travelogues; Individual Artist Compilations; National, Regional And Genre Surveys; And Dvdsall Designed In A Distinctive Graphic Style Recalling The Diy Aesthetic Of Punk And Indie Rock. Sublime Frequencies' Producers Position Themselves As Heirs To Canonical Ethnographic Labels Such As Folkways, Nonesuch, And Musique Du Monde, But Their Aesthetic And Philosophical Roots In Punk, Indie Rock, And Experimental Music Effectively Distinguish Their Work From More Conventional Ethnographic Norms. Situated At The Intersection Of Ethnomusicology, Sound Studies, Cultural Anthropology, And Popular Music Studies, The Essays In This Volume Explore The Issues Surrounding The Labelincluding Appropriation And Intellectual Propertywhile Providing Critical Commentary And Charting The Impact Of The Label Through Listener Interviews.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: What is the page count of 'Punk Ethnography'? A: The book has four hundred forty pages. This extensive length allows for in-depth exploration of the topics discussed.
  • Q: What is the binding type of this book? A: The book is paperback bound. This makes it lightweight and flexible, ideal for casual reading.
  • Q: Who is the author of 'Punk Ethnography'? A: The author is Michael E. Veal. His expertise in ethnomusicology adds credibility to the insights provided in this volume.
  • Q: What is the genre of 'Punk Ethnography'? A: The book falls under the category of ethnomusicology. It critically examines the intersection of music and cultural representation.
  • Q: What are the dimensions of 'Punk Ethnography'? A: The dimensions are six inches in length, one point one inches in width, and eight point nine inches in height. These measurements make it easy to handle and store.
  • Q: How do I read 'Punk Ethnography' effectively? A: You can read it at your own pace, but familiarity with ethnomusicology will enhance your understanding. The essays cover complex themes related to music and culture.
  • Q: Is 'Punk Ethnography' suitable for beginners in ethnomusicology? A: Yes, it is suitable for beginners. The essays are written to engage both scholars and general readers with an interest in music.
  • Q: How should I store 'Punk Ethnography' to keep it in good condition? A: Store it in a cool, dry place away from direct sunlight. This prevents damage to the cover and pages over time.
  • Q: Can I lend 'Punk Ethnography' to others? A: Yes, you can lend it to others. Just ensure it is returned in good condition to maintain its usability.
  • Q: How do I clean 'Punk Ethnography' if it gets dirty? A: Wipe the cover gently with a dry cloth. Avoid using liquids, as they can damage the pages.
  • Q: What if 'Punk Ethnography' arrives damaged? A: If it arrives damaged, you should contact customer support for a replacement or refund. Keep all packaging for reference.
  • Q: What topics does 'Punk Ethnography' cover? A: It covers topics like sound ethnography, cultural representation, and critiques of world music. These themes are explored through essays from various contributors.
  • Q: Is 'Punk Ethnography' intended for academic use? A: Yes, it is intended for academic use. The book includes critical essays that can support research in ethnomusicology and cultural studies.
  • Q: What makes 'Punk Ethnography' unique in its field? A: Its critical approach to the DIY ethos in music production sets it apart. It challenges traditional ethnographic norms through a punk lens.
  • Q: Are there interviews included in 'Punk Ethnography'? A: Yes, the book includes listener interviews. These provide personal insights into the impact of the label and its music.

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