Reading The Book Of Nature: A Phenomenological Study Of Creative Expression In Science And Painting (Volume 14) (Series In Conti,Used

Reading The Book Of Nature: A Phenomenological Study Of Creative Expression In Science And Painting (Volume 14) (Series In Conti,Used

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Edwin Jones sets out to show that a phenomenological analysis of meaning can contribute to a theory of creativity in several ways. It can clarify the concept of creative expression and resolve its paradoxical appearance. Creativity must have its roots in already existing meanings and at the same time has to generate new meanings.To illustrate, Jones shows that a phenomenological analysis can render more comprehensible the spiritual dilemma suffered by Czanne. The artist could not render intellectually understandable to himself what he was attempting as an artist. A phenomenological approach shows, according to Jones, that the dilemma was generated in Czannes mind in part by a certain implicit Galilean concept of Nature that Czanne brought to his work a concept that phenomenology has only recently begun to dispel by demonstrating a parallel between creativity in philosophy and creativity in art. Jones employs Heidegger and Czanne as concrete examples and Husserl and MerleauPonty as other important elements in his essay.Ultimately, Jones argues for a parallel between creativity in science and philosophy, and creativity in the arts. His is an original synthesis of the work of the three thinkers he interprets and of Czannes late work, and his study should be of considerable interest to philosophers, art critics, and artists of a theoretical or reflective bent.

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Frequently Asked Questions

  • Q: What is the main focus of 'Reading the Book of Nature'? A: The book explores the phenomenological analysis of meaning and its contribution to understanding creativity in both science and art.
  • Q: Who is the author of this book? A: The author is Edwin Jones.
  • Q: What are the key themes discussed in this book? A: Key themes include the nature of creative expression, the relationship between existing meanings and new meanings, and parallels between creativity in different fields.
  • Q: Is this book suitable for art critics and philosophers? A: Yes, the book is intended for philosophers, art critics, and artists interested in the theoretical aspects of creativity.
  • Q: What type of binding does this book have? A: The book is available in hardcover binding.
  • Q: How many pages are in 'Reading the Book of Nature'? A: The book contains 178 pages.
  • Q: When was this book published? A: It was published on March 1, 1989.
  • Q: What condition is the used book in? A: The used book is listed as being in good condition.
  • Q: Does this book include examples from specific artists or philosophers? A: Yes, it includes analyses of works by Cézanne, Heidegger, Husserl, and Merleau-Ponty.
  • Q: Is there an edition of this book? A: Yes, this is the first edition of the book.