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A companion to an art exhibition at The Museum of Contemporary Art, Los Angeles, October 1995 to February 1996. Most of the works fall into the category of Conceptual art. Among the essays are Escape Attempts, Artists in the Exhibition, and Marks of Indifference: Aspects of Photography. Illustrated with black andwhite photographs. Annotation c. by Book News, Inc., Portland, Or.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer,
birth defects, or other reproductive harm.
Honestly, I bought this thinking it would be more accessible. As an art enthusiast, I expected something more engaging, but I found it quite dry. The concepts are interesting but presented in a way that's not very inviting. I’m sure it has its fans, but I’m not one of them.
J
James O'Connor
Interesting but a Bit Heavy
The book has some great insights on art, but I found it a little hard to get through at times. The arguments are deep and well-structured, which I appreciate, but I wish it had a lighter tone. If you're really into art theory, this might be a must-read though!
C
Carlos Ramirez
An Art Lover's Delight
I was completely captivated by this book! The way it explores objecthood in art is so refreshing and well-articulated. It’s definitely a heavy read, but it sparked so many ideas for my own work. I can see this sitting on my shelf for years to come.
A
Aisha Patel
A Thought-Provoking Experience
I picked up 'Reconsidering the Object of Art' because I'm always on the lookout for art literature that challenges my perspective. It’s fascinating and well-argued, making it a great read for anyone interested in contemporary art theory. Just a heads up, it’s a bit dense in places, but totally worth it!
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⚠️ California Proposition 65 Warning: Some products sold on this website may expose you to chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm. For more information, visit www.P65Warnings.ca.gov.
