Title
Reconstructing Modernism: Art In New York, Paris, And Montreal 19451964-new
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These Essays Reopen The Case Of Postwar Abstraction. They Constitute A Dialogue Among Historians, Critics, Painters, And Art Historians That Allows Not Only New Readings Of Specific Art Works But Also A New Understanding Of The Reception Of Art In The Postwar Western World.Timothy J. Clark, Thierry De Duve, Constance Naubertriser, And Thomas Crow Focus On Specific Works Of Major Artists Of The Period. Laurie J. Monahan, Serge Guilbaut, And Benjamin H. D. Buchloh Look At Art Production In Relation To Particular Aspects Of The Cold War. Jean Baudrillard And Francoismarc Gagnon Discuss The Effects Of The International Situation On The Arts In General. John Franklin Koenig Describes The Experience Of An American Artist Working In Paris After The War. John Obrian Relates The Impact And The Reception Of Matisses Work In New York, And Lary May Discusses The Transformation Of Hollywood During The Mccarthy Era.Serge Guilbaut Is Associate Professor At The University Of British Columbia.
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- Q: What is the size of the book? A: The book measures six point twenty-six inches in length, zero point seventy-five inches in width, and nine point twenty-five inches in height.
- Q: How many pages does the book have? A: This book contains four hundred thirty-seven pages, providing an in-depth exploration of postwar abstraction in art.
- Q: What type of binding does this book have? A: The book features a paperback binding, making it flexible and easy to handle.
- Q: Is this book suitable for academic use? A: Yes, this book is suitable for academic use as it includes essays and analyses from various art historians and critics.
- Q: What topics does the book cover? A: The book covers topics related to postwar abstraction, art reception, and the influence of the Cold War on art.
- Q: Who is the author of this book? A: The author of this book is Serge Guilbaut, who is an Associate Professor at the University of British Columbia.
- Q: Is this book appropriate for children? A: No, this book is not appropriate for children as it deals with complex themes related to art and history.
- Q: What historical period does the book discuss? A: The book discusses the historical period from nineteen forty-five to nineteen sixty-four, focusing on modernism in art.
- Q: Does the book include illustrations or images? A: No, the product details do not mention any illustrations or images included in the book.
- Q: How should I store this book? A: Store this book in a cool, dry place, upright on a shelf to prevent warping or damage to the spine.
- Q: What kind of care does the book require? A: The book requires minimal care; keep it away from moisture and direct sunlight to preserve its condition.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for return instructions or a replacement.
- Q: Can I return this book if I change my mind? A: Yes, you can typically return this book if you follow the seller's return policy.
- Q: Is this book a good choice for art students? A: Yes, this book is an excellent choice for art students interested in understanding postwar movements and critiques.
- Q: What makes this book unique? A: This book is unique for its dialogue among prominent art historians and critics regarding postwar abstraction.