Rhythmic Subjects  Uses Of Energy In The Dances Of Mary Wigman, Martha Graham, And Merce Cunningham

Rhythmic Subjects Uses Of Energy In The Dances Of Mary Wigman, Martha Graham, And Merce Cunningham

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The Goal In This Interdisciplinary Book Is To Show That Uses Of Energy In Movement Are Central To Dance Practice And Analysis.Chapters:Life Rhythms: Dancing In The Bodysoulopening Rhythms: Spatial Energies In Mary Wigmanvirile Rhythms: Empowering Energies In Martha Grahampunctual Rhythms: Life Energies In Merce Cunninghamkinesthetic Imagination And Changing Economies Of Energy

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To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.

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We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the main focus of 'Rhythmic Subjects' by Dee Reynolds? A: 'Rhythmic Subjects' explores the use of energy in the dances of key choreographers like Mary Wigman, Martha Graham, and Merce Cunningham, highlighting their rhythmic innovations and how they interact with socio-cultural contexts.
  • Q: How does the book relate energy usage to modernity and modernism? A: The book discusses how choreographers and dancers use energy as a central theme in modernity and modernism, allowing them to challenge and redefine norms in their artistic expressions.
  • Q: Who are the key choreographers discussed in this book? A: The key choreographers discussed in 'Rhythmic Subjects' are Mary Wigman, Martha Graham, and Merce Cunningham, all of whom significantly impacted dance in the twentieth and twenty-first centuries.
  • Q: What concepts are used to analyze the dances in the book? A: The analysis in 'Rhythmic Subjects' incorporates concepts from Rudolf Laban's writings, along with phenomenological and poststructuralist approaches to understand embodied subjects in dance.
  • Q: Is this book suitable for someone new to dance choreography? A: 'Rhythmic Subjects' is well-suited for readers interested in dance choreography and theory, though some familiarity with dance concepts may enhance understanding.
  • Q: What is the format of the book, and how many pages does it contain? A: 'Rhythmic Subjects' is available in paperback format and contains 326 pages.
  • Q: What conditions can I expect the book to be in if I purchase it? A: The book is listed as being in 'Good' condition, indicating it should show some signs of wear but remain fully readable.
  • Q: When was 'Rhythmic Subjects' published? A: 'Rhythmic Subjects' was published on October 30, 2015.
  • Q: Does the book include discussions on digital technologies in choreography? A: Yes, 'Rhythmic Subjects' discusses recent choreographical innovations that involve the use of digital technologies.
  • Q: What themes does the book explore beyond dance choreography? A: The book also explores historical, social, and cultural contexts related to energy usage in dance, offering a comprehensive view of its impact on choreographical innovation.