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The theatrum mundi metaphor was wellknown in the Golden Age, and was often employed, notably by Caldern in his religious theatre. However, little account has been given of the everyday exploitation of the idea of the world as stage in the mainstream drama of the Golden Age. This study examines how and why playwrights of the period time and again created characters who dramatize themselves, who reinvent themselves by performing new roles and inventing new plots within the larger frame of the play. The prevalence of metatheatrical techniques among Golden Age dramatists, including Lope de Vega, Tirso de Molina, Caldern de la Barca and Guilln de Castro, reveals a fascination with roleplaying and its implications. Thacker argues that in comedy, these playwrights saw roleplaying as a means by which they could comment on and criticize the society in which they lived, and he reveals a drama far less supportive of the social status quo in Golden Age Spain than has been traditionally thought to be the case.
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