Ruined By Design: Shaping Novels And Gardens In The Culture Of Sensibility (Literary Criticism And Cultural Theory),New

Ruined By Design: Shaping Novels And Gardens In The Culture Of Sensibility (Literary Criticism And Cultural Theory),New

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SKU: DADAX0415989507
UPC: 9780415989503
Brand: Routledge
Condition: New
Regular price$318.53
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By Examining The Motif Of Ruination In A Variety Of Lateeighteenthcentury Domains, This Book Portrays The Moral Aesthetic Of The Culture Of Sensibility In Europe, Particularly Its Negotiation Of The Demands Of Tradition And Pragmatism Alongside Utopian Longings For Authenticity, Natural Goodness, Selfgovernance, Mutual Transparency, And Instantaneous Kinship. This Book Argues That The Rhetoric Of Ruins Lends A Distinctive Shape To The Architecture And Literature Of The Time And Requires The Novel To Adjust Notions Of Authorship And Narrative To Accommodate The Prevailing Aesthetic. Just As Architects Of Eighteenthcentury Follies Pretend To Have Discovered 'Authentic' Ruins, Novelists Within The Culture Of Sensibility Also Build Purposely Fragmented Texts And Disguise Their Authorship, Invoking Highly Artificial Means Of Simulating Nature. The Cultural Pursuit Of Human Ruin, However, Leads To Hypocritical And Sadistic Extremes That Put An End To The Characteristic Ambivalence Of Sensibility And Its Unusual Structures.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

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  • Q: How many pages does the book have? A: This book has two hundred seventy-four pages. It provides a comprehensive examination of the culture of sensibility in Europe.
  • Q: What is the binding type of the book? A: The book is bound in hardcover. This ensures durability and a premium feel for readers.
  • Q: What are the dimensions of the book? A: The dimensions of the book are five point nine eight inches in length, zero point seven five inches in width, and nine point zero two inches in height.
  • Q: Who is the author of this book? A: The author of the book is Inger Sigrun Brodey. She explores the intricate relationship between literature and aesthetics.
  • Q: What genre does this book belong to? A: The book belongs to the genre of literary criticism and cultural theory. It delves into historical and aesthetic themes.
  • Q: What is the main theme of the book? A: The main theme revolves around the motif of ruination in late-eighteenth-century culture. It reflects on moral aesthetics and the negotiation of tradition.
  • Q: Is this book suitable for beginners in literary theory? A: Yes, this book can be suitable for beginners. It offers insights into complex themes in an accessible manner.
  • Q: Can this book be used in academic settings? A: Yes, this book is ideal for academic settings. It provides critical analysis and can serve as a resource for literary discussions.
  • Q: How should I store this book? A: Store this book in a cool, dry place, away from direct sunlight. This will help preserve its binding and pages.
  • Q: What if I want to gift this book? A: This book makes an excellent gift for literary enthusiasts. Its rich analysis of culture will appeal to readers interested in historical aesthetics.
  • Q: What if the book arrives damaged? A: If the book arrives damaged, contact the seller for a return or replacement. Most sellers have policies in place for such issues.
  • Q: Are there any safety concerns with this book? A: No, there are no safety concerns with this book. It contains no hazardous materials or content.
  • Q: Does the book include a bibliography? A: Yes, the book includes a bibliography. This allows readers to explore the sources and references used by the author.
  • Q: Is there an eBook version available? A: Yes, an eBook version is often available for this title. Check with retailers for digital formats.
  • Q: What is the publication date of the book? A: The publication date of the book can typically be found through the publisher's information. It was published by Routledge.

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