Title
Saying Something: Jazz Improvisation And Interaction (Chicago Studies In Ethnomusicology)
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This Fresh Look At The Neglected Rhythm Section In Jazz Ensembles Shows That The Improvisational Interplay Among Drums, Bass, And Piano Is Just As Innovative, Complex, And Spontaneous As The Solo. Ingrid Monson Juxtaposes Musicians' Talk And Musical Examples To Ask How Musicians Go About Saying Something Through Music In A Way That Articulates Identity, Politics, And Race. Through Interviews With Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil Mcbee, And Others, She Develops A Perspective On Jazz Improvisation That Has Interactiveness At Its Core, In The Creation Of Music Through Improvisational Interaction, In The Shaping Of Social Communities And Networks Through Music, And In The Development Of Cultural Meanings And Ideologies That Inform The Interpretation Of Jazz In Twentiethcentury American Cultural Life.Replete With Original Musical Transcriptions, This Broad View Of Jazz Improvisation And Its Emotional And Cultural Power Will Have A Wide Audience Among Jazz Fans, Ethnomusicologists, And Anthropologists.
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- Q: How many pages does the book have? A: The book has two hundred sixty-one pages. This length allows for a comprehensive exploration of jazz improvisation and its cultural significance.
- Q: What is the binding type of this book? A: The book is paperback bound. This makes it lightweight and flexible, suitable for both reading and carrying.
- Q: What are the dimensions of the book? A: The book measures nine point four nine inches in length, five point four one inches in width, and zero point five five inches in height. These dimensions make it easy to handle and store.
- Q: Who is the author of this book? A: The author is Ingrid Monson. She is known for her insightful contributions to the field of ethnomusicology and jazz studies.
- Q: What category does this book fall under? A: This book falls under the category of Ethnomusicology. It focuses on the cultural and social aspects of music, specifically jazz.
- Q: Is this book suitable for beginners in jazz? A: Yes, this book is suitable for beginners. It provides an accessible introduction to the complexities of jazz improvisation and interaction.
- Q: What themes are explored in the book? A: The book explores themes of identity, politics, and race through jazz music. It emphasizes the improvisational interplay within jazz ensembles.
- Q: Can this book be used in academic settings? A: Yes, this book is suitable for academic settings. It is a valuable resource for students and scholars of ethnomusicology and jazz studies.
- Q: How should I store this book to keep it in good condition? A: Store the book in a cool, dry place, away from direct sunlight. Keeping it upright on a shelf can help maintain its shape and condition.
- Q: Is there a warranty for this book? A: No, there is no warranty for this book. However, if you receive a damaged copy, you should contact the seller for a resolution.
- Q: What if I receive the book damaged? A: If you receive the book damaged, you should reach out to the seller for a replacement or return. Most sellers have customer service policies for such issues.
- Q: Does the book include musical transcriptions? A: Yes, the book includes original musical transcriptions. These enhance the reader's understanding of jazz improvisation.
- Q: Is this book appropriate for academic libraries? A: Yes, this book is appropriate for academic libraries. It offers a well-researched perspective on jazz that adds value to ethnomusicology collections.
- Q: What kind of audience will enjoy this book? A: Jazz fans, ethnomusicologists, and anthropologists will enjoy this book. Its insights into jazz improvisation appeal to a wide range of readers.
- Q: Are there interviews with musicians in this book? A: Yes, the book includes interviews with notable musicians. These provide personal insights into the improvisational aspects of jazz.
- Q: What makes this book unique in its field? A: This book is unique for its focus on the neglected rhythm section in jazz. It highlights the significance of collaboration in musical improvisation.