Title
Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory Of Jpop (Asia Perspectives: History, Society, And Culture)
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From The Beginning Of The American Occupation In 1945 To The Postbubble Period Of The Early 1990S, Popular Music Provided Japanese Listeners With A Muchneeded Release, Channeling Their Desires, Fears, And Frustrations Into A Pleasurable And Fluid Art. Pop Music Allowed Japanese Artists And Audiences To Assume Various Identities, Reflecting The Country'S Uncomfortable Position Under American Hegemony And Its Uncertainty Within Evershifting Geopolitical Realities.In The First Englishlanguage Study Of This Phenomenon, Michael K. Bourdaghs Considers Genres As Diverse As Boogiewoogie, Rockabilly, Enka, 1960S Rock And Roll, 1970S New Music, Folk, And Technopop. Reading These Forms And Their Cultural Import Through Music, Literary, And Cultural Theory, He Introduces Readers To The Sensual Moods And Meanings Of Modern Japan. As He Unpacks The Complexities Of Popular Music Production And Consumption, Bourdaghs Interprets Japan As It Worked Through (Or Tried To Forget) Its Imperial Past. These Efforts Grew Even Murkier As Japanese Pop Migrated To The Nation'S Former Colonies. In Postwar Japan, Pop Music Both Accelerated And Protested The Commodification Of Everyday Life, Challenged And Reproduced Gender Hierarchies, And Insisted On The Uniqueness Of A National Culture, Even As It Participated In An Increasingly Integrated Global Marketplace.Each Chapter In Sayonara Amerika, Sayonara Nippon Examines A Single Genre Through A Particular Theoretical Lens: The Relation Of Music To Liberation; The Influence Of Cultural Mapping On Musical Appreciation; The Role Of Translation In Transmitting Musical Genres Around The Globe; The Place Of Noise In Music And Its Relation To Historical Change; The Tenuous Connection Between Ideologies Of Authenticity And Imitation; The Link Between Commercial Success And Artistic Integrity; And The Function Of Melodrama. Bourdaghs Concludes With A Look At Recent Japanese Pop Music Culture.
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- Q: What is the page count of the book? A: The book has three hundred four pages. This length provides a comprehensive exploration of J-Pop and its cultural significance.
- Q: What are the dimensions of the book? A: The book measures five point nine one inches in length, zero point seven one inches in width, and eight point nine inches in height. These dimensions make it a convenient size for reading.
- Q: What type of binding does the book have? A: The book features paperback binding. This format is lightweight and flexible, ideal for casual reading.
- Q: Who is the author of this book? A: The author is Michael K. Bourdaghs. He provides insightful analysis on the cultural dynamics of J-Pop.
- Q: What is the primary genre of the book? A: The book falls under the genre of ethnomusicology. It examines the intersection of music and culture in Japan.
- Q: How do I read this book effectively? A: You can read this book at your own pace, focusing on one chapter at a time. Each chapter delves into different musical genres and theories.
- Q: Is this book suitable for beginners in music studies? A: Yes, this book is suitable for beginners. It provides foundational insights into J-Pop and its socio-cultural context.
- Q: What themes are explored in the book? A: The book explores themes of identity, cultural hegemony, and the impact of globalization on Japanese pop music. These themes are crucial for understanding modern Japan.
- Q: What should I know before reading this book? A: It’s helpful to have a basic understanding of Japanese culture and history. This context enriches the reading experience.
- Q: How should I store this book to keep it in good condition? A: Store the book in a cool, dry place and avoid direct sunlight. This helps prevent fading and damage to the binding.
- Q: Is this book safe for young readers? A: Yes, the book is generally safe for young readers. However, parental discretion is advised for younger audiences due to complex themes.
- Q: Can I return the book if I don’t like it? A: Yes, most retailers have a return policy that allows you to return the book if it does not meet your expectations.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact the retailer promptly for a replacement or refund. They usually have procedures in place for such issues.
- Q: How can I find similar books? A: You can look for books in the ethnomusicology genre or those that discuss J-Pop and Japanese culture. Online platforms often recommend similar titles.
- Q: Does this book include any visual content? A: No, the book does not include visual content. It focuses on textual analysis of music and culture.